It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 24, 2015, 09:14 AM
http://www.screeneditors.com.au/edit-fest-l-a/
EditFest Los Angeles, 2015 ASE members Melanie Annan and Christine Cheung were in L.A. for Edit Fest 2015. Once a year the ACE (American Cinema Editors) holds a day long series of panels on the art of editing. It’s an exciting opportunity to hear from some of the best editors in the business. Panel 1: […]
August 24, 2015, 05:08 AM
https://www.aotg.com/film-preservation-restoration-in-the-digital-age-p/
The Academy of Motion Picture Arts & Sciences in partnership with The Charles Guggenheim Center for Documentary Film and the Foundation for the National Archives presents
August 24, 2015, 05:07 AM
http://www.creativeimpatience.com/the-inevitable-c...
With the introduction of Resolve 12, suddenly the race towards a unified NLE/Grading tool become very interesting. It’s hard to argue, that colour correction and grading became an integral part of post-production workflow. It’s also seemingly one of the low-hanging fruits, as opposed to visual effects and audio. Let’s see … see more →
August 24, 2015, 05:04 AM
http://www.hollywoodreporter.com/behind-screen/emm...
Why did the President’s phone call get eliminated from ‘24’? Sometimes it’s not what’s onscreen, but what’s been removed that marks the work of these nominated editors.
August 23, 2015, 01:48 PM
http://www.screeneditors.com.au/event-report-editi...
DATELINE: Friday 7th August 2015 THE MAIN EVENT: MIFF MASTERCLASS WITH MARK ATKIN ASE VENUE: ACMI (VIC) Event report by Ben Joss Intelligent, Articulate and Passionate. That's how I would describe Mark Atkin's editing master class presented as part of this years Melbourne International Film Festival. A sold out crowd was treated to an hour and a half […]
August 23, 2015, 01:48 PM
http://www.edaeditores.org/eda-presenta-4-relampag...
En una nueva fecha del ciclo de EDA PRESENTA se proyectará Relámpago en la Oscuridad, un documental de Germán Fernández y Pablo Montllau. Al finalizar la proyección el montajista Carlos Cambariere y los directores, nos contarán cómo fue el proceso de postproducción. Luego nos quedaremos a compartir comida y bebidas para seguir conociéndonos y continuar la […]
August 23, 2015, 06:02 AM
https://www.aotg.com/how-to-break-the-fourth-wall/
Breaking the Fourth Wall is such a creative and unique cinematic technique, but just how much potential does it have? Let's take a look at the various emotional effects a fourth wall break can have in film.
August 23, 2015, 06:00 AM
http://alex4d.com/notes/item/helping-people-consid...
FiveThirtyEightScience on why it is hard to convince people of things if they’ve already decided. You have to be sure before you destroy what you already know and substitute it with something new Simply exposing people to more information doesn’t help. If you want someone to accept information that contradicts what they already know, you have to find a story they can buy into. That requires bridging the narrative they’ve already constructed to a new one that is bot...
August 22, 2015, 03:51 PM
http://www.thepoweredit.com/didgeridoo-in-church/
We’re suckers for singular moments that stand out. Floods of information wash over us, and the vast majority of it, for one reason or another, doesn’t stick. Every once in a while, though, something does, and it leaves a mark. An impression, a reference point. These moments usually evoke a distinct feeling or emotion in […]
August 22, 2015, 03:51 PM
http://www.screeneditors.com.au/event-report-class...
DATELINE: Sunday 19th July 2015 THE MAIN EVENT: "Class of 2005" VENUE: The Lord Dudley in Paddington (NSW) On Sunday 19th July 2015 the ASE hosted the 10th Anniversary of the NSW Class of 2005 Accreditees at the Lord Dudley Hotel in Paddington. It was a fantastic day with Accredittees Andrew Arestides ASE, James Bradley ASE and […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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