It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 11, 2021, 08:50 AM
https://www.goldderby.com/feature/a-black-lady-ske...
“A Black Lady Sketch Show” continues to break barriers, not only in front of the screen but behind the scenes. Daysha Broadway, Stephanie Filo and Jessica Hernández are the first women of color editing team to be nominated for an Emmy, landing a nomination in Best Variety Picture Editing alongside such productions as “Hamilton” and “Saturday Night Live.” “For me, it’s been a gratifying moment,” says Broadway in an exclusive new webchat for Gold Derby. “It means that people a...
August 11, 2021, 08:50 AM
https://beforesandafters.com/2021/08/11/vfx-notes-...
Hugo Guerra from Hugo’s Desk and Ian Failes from befores & afters are back with episode 5 of VFX Notes. This week we’re chatting about the visual effects in The Suicide Squad, Jungle Cruise and Old, and we’re discussing the huge prevalence of digital de-ageing VFX right now, including compositing and complete digital human techniques.
#vfx#the suicide squadAugust 10, 2021, 09:11 AM
https://www.awn.com/news/49th-annual-annie-awards-...
ASIFA-Hollywood issues call for entries; honoring excellence in the field of animation, awards will be presented in 36 categories at ceremony set for February 26, 2022.
August 9, 2021, 09:05 AM
https://beforesandafters.com/2021/08/09/gene-kelly...
In this next piece of coverage on Sony Animation and Netflix’s Vivo, directed by Kirk DeMicco, befores & afters chats to Sony Pictures Imageworks animation supervisor Kevin Webb.
August 5, 2021, 09:01 AM
https://postperspective.com/tommy-smith-joins-carb...
VFX supervisor Tommy Smith has joined creative studio Carbon. He has more than 15 years of experience working at studios such as Psyop, The Mill and Method. He also had a two-year stint with Apple as creative director across technology projects. Smith says he looks forward to his work at Carbon because it allows him to use his skills across both 2D and 3D. Continue reading → August 4, 2021 The post Tommy Smith joins Carbon as VFX Supervisor appeared first on postPerspective.
August 4, 2021, 09:03 AM
https://variety.com/2021/tv/news/loki-miss-minutes...
As Marvel continues dipping its toes in TV — snagging 28 Emmy nominations in the process — its latest venture, the Disney Plus miniseries “Loki,” is being hailed as one of the studio’s most unique anti-hero stories to date.
August 4, 2021, 08:50 AM
https://www.blackmagicdesign.com/media/release/202...
Fremont, CA – August 4, 2021 – Blackmagic Design today announced the anime series “Aoi Hane Mistuketa (Finding a Blue Feather),” produced by anime production company Noovo Inc., was posted using DaVinci Resolve Studio. The series, which was also granted a MegaGrant by Epic Games, used DaVinci Resolve Studio for editing and used the Fusion page to create background images in conjunction with Epic’s Unreal Engine. Produced with the latest technology, the series consists of six five m...
#editing#vfx#post production#fusion#collaboration#davinci resolve studio#animeAugust 3, 2021, 10:22 AM
https://postperspective.com/sloane-klevin-editing-...
The Netflix documentary Sisters on Track tells the story of the Sheppard sisters, Tai, Rainn and Brooke, who were propelled into the national spotlight in 2016 with their first-time wins at the Junior Olympics while living in a homeless shelter with their single mom. It offers an intimate glimpse into a tight-knit Brooklyn family’s journey to recover from trauma and tragedy. Continue reading → August 2, 2021 The post Sloane Klevin: Editing Netflix’s Sisters on Track appeared first ...
August 3, 2021, 10:22 AM
https://www.allanmckay.com/310/
August 3, 2021, 08:51 AM
https://www.awn.com/news/cinesite-shares-black-wid...
VFX supervisor Ben White and his team tackle a CG BMW, a nasty arm-wrestling match, and a Russian prison guard attitude adjustment, in Marvel Studios’ latest MCU adventure.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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