To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Get Started Fast with Media Composer for High-Res

December 17, 2015, 10:43 AM

https://www.aotg.com/get-started-fast-with-media-composer-for-high-res-5/

Welcome to the third episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this video, I will focus on editing in High Res projects specifically; starting with the concept of Color Encoding and FrameFlex adjustments, explaining how to use the Proxy Timeline, as well as looking at stylistic adjustments like LUTs. Finally, I will show you three handy new features in Media Composer.

10 Ways to Increase Your Editing Speed

December 17, 2015, 10:39 AM

https://www.rocketstock.com/blog/10-ways-to-increa...

To be completely honest with you, I’m a person who prefers the challenges of the set versus the challenges of the editing room. I’m primarily a director so I’m built that way. Does this mean that I never enter the editing room? Absolutely not. The editing room is where the film is made. Many times I’ve had to edit my own work, work with freelance editors, or even edit for other filmmakers.

Broadcasters, Post Facilities Depend on EditShare

December 17, 2015, 09:40 AM

https://www.aotg.com/broadcasters-post-facilities-depend-on-editshare/

EditShare XStream EFS sales soar in 2015 – reality TV, editorial agency and public broadcaster migrate infrastructure onto EditShare’s new storage architecture with integrated media management

#post production#editshare#shared storage#media asset management#remote collaboration
Miller to Exhibit Cinematography Solutions at BSC

December 17, 2015, 09:17 AM

https://www.aotg.com/miller-to-exhibit-cinematography-solutions-at-bsc/

Miller Fluid Heads (Europe) Ltd., a leader in the production of innovating camera support solutions, will be showcasing its latest cinematography solutions, including the Cineline 2090 Tripod System as well as the the Arrow Series of fluid heads, at the BSC Expo 2016 (booth 203).

#video#camera#tripod#miller camera support#bsc
CrumplePop announce AudioDenoise, a $99 noise redu

December 17, 2015, 05:35 AM

http://www.fcp.co/final-cut-pro/articles/1762-crum...

A slightly different plugin announcement. CrumplePop has just released AudioDenoise, a third party noise reducing plugin for FCPX. We asked how is it better than the built-in FCPX noise reduction and why? (It is also on special offer for a week at $49)

Netflix lowers resolution to improve quality

December 17, 2015, 05:35 AM

http://www.redsharknews.com/technology/item/3118-n...

It is one of those counter-intuitive sounding things, but Netflix has a new plan for making sure that its video content hist your monitor in the next condition possible, even if that means lower resolution. NetflixAmazon PrimeStreamingOTTEncodingbitrateH264

Comparing Non-Linear Editing Software

December 16, 2015, 05:13 PM

http://www.videoguys.com/blog/news-and-sales/compa...

The Nashville Film Guild recently held a debate comparing the most popular non-linear editing software. See what they had to say in the video below. The Great NLE Debate and DaVinci Resolve Provideo Coalition blog by Brian Hallett Which Non-Linear Editing system equals the best was put to a debate by the Nashville Film Guild. Read More The post Comparing Non-Linear Editing Software appeared first on Videoguys Blog.

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