To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Paritarias de Largometraje 2017/2018 – SICA APMA

July 16, 2017, 12:31 PM

https://edaeditores.org/paritarias-de-largometraje...

Compartimos el comunicado del Sindicato de la Industria Cinematográfica Argentina, Animación, Publicidad y Medios Audiovisuales (SICA-APMA) con motivo del acuerdo paritario para salarios mínimos de largometraje. Estos mínimos actualizados para montajistas y asistentes de montaje pueden ser consultados en la sección Legislación de este sitio. Finalmente quedó acordada la recomposición salarial en un 30% para […]

Se realizó la charla “El montaje de cine en tre

July 16, 2017, 12:30 PM

https://edaeditores.org/se-realizo-la-charla-el-mo...

En el marco de FICSUR, Festival Internacional de Cine de los Países del Sur del Mundo, EDA organizó la charla “Entre Cortes. El montaje de cine en tres generaciones“. En la charla participaron Seba Polze (EDA), Germán Cantore (SAE) y Miguel Pérez (EDA/SAE), con la moderación de Verónica de Cata (EDA). El público pudo conocer más […]

How to Calibrate Your Monitor

July 16, 2017, 07:47 AM

https://www.digitaltrends.com/computing/how-to-cal...

Plenty of people stare at computer monitors all day — if you’re reading this, chances are you’re doing just that. But how many people take the time to calibrate their computer monitor? Proper calibration will ensure that your colors and black levels are true, and will ensure that your monitor is producing the best results for editing and viewing images and videos. Plus, it’ll be easier on your eyes! Knowing how to calibrate your monitor is an increasingly important skill.

Spiderman Homecoming VFX INTERVIEW

July 16, 2017, 07:47 AM

http://sparkfx.ca/festivals/information.php?NEWS-2...

Towards the end of Jon Watts’ Spider-Man: Homecoming, the newest instalment of the Spider-Man franchise and now part of Marvel’s larger cinematic universe, Peter Parker (Tom Holland) makes a bold choice to try and thwart the efforts of Adrian Toomes (Michael Keaton), who is hell-bent on stealing Avengers weaponry from a plane — mid-flight — as it leaves New York.

Mesh Blend is Impressive Kit Bashing for Maya

July 15, 2017, 02:53 PM

http://lesterbanks.com/2017/07/mesh-blend-impressi...

I was feeling a little left out in Autodesk Maya once noticing so many kit bashing tools popping up in other DCC’s. Blender’s Decal Machine was one that seemed particularly jaw dropping. If you are The Post Mesh Blend is Impressive Kit Bashing for Maya originally appeared and published on %%BLOGLINK%,by lesterbanks

William HOY, ACE, edits "War for the Plane of the

July 15, 2017, 02:53 PM

https://www.provideocoalition.com/AOTC-War-HOY

William Hoy, ACE got into the editor’s seat on feature films back in the mid-‘80s. One of his first major feature films was Dances With Wolves. Since then he’s edited a string of box office and critically acclaimed hit films: Star Trek VI: The Undiscovered Country, Patriot Games, Se7en, The Man in the Iron Mask, The Bone Collector, Dawn of the Dead, Fantastic Four, 300, Watchmen, and Dawn of the Planet of the Apes. Art of the Cut caught up with William recently to discuss his work on War f...

IAVA 2017 – Oscar Nominated Editors

July 15, 2017, 06:03 AM

https://americancinemaeditors.org/iava-2017-oscar-...

Another year and another opportunity to hear the Academy Award®-nominated editors talk about their craft. ACE’s annual Invisible Art, Visible

Bringing Stories to Life: An interview with Tom My

July 14, 2017, 12:27 PM

http://designingsound.org/2017/07/bringing-stories...

There’s something incredible about a place that can transform your reality into the world of storybooks, films, and fantasy. And if you’ve ever been to any of the Disney theme parks, you know just how immersive this experience can be. But who is responsible for the creation and the innovation behind these worlds? They’re called […]

"Show Me A Hero" Editor Jo Francis, ACE Joins ou

July 14, 2017, 12:27 PM

http://manhattaneditworkshop.blogspot.com/2017/07/...

MEWShop is proud to welcome editor Jo Francis, ACE as our Artist in Residence for our June/July 2017 Six Week Intensive Art of Editing Workshop.Jo Francis has long career as both a feature film and television editor.  Her longstanding relationship with director Paul Haggis started with the television show The Black Donnellys, and has continued on with the feature films The Next Three Days, In the Valley of Elah, Third Person, and the television show Crash.  They also collaborated on...

The Sound of Spider-Man: Homecoming

July 14, 2017, 12:26 PM

http://soundworkscollection.com/news/the-sound-of-...

This week we chat with Supervising Sound Editor and Sound Designer Eric Norris about the work crafted by the sound team on Spider-Man: Homecoming Directed by Jon Watts.

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