To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

‘Mad Max: Fury Road’ Color Grading Breakdown V

July 8, 2017, 05:39 PM

http://www.indiewire.com/2017/07/mad-max-fury-road...

It’s now been over two years since “Mad Max: Fury Road” first raced into our hearts, and yet we still can’t stop thinking about it almost every single day. Fortunately, neither can most cinephiles. Every month there appears to be a new exploration of the action movie, breaking down one of its pitch perfect visual elements. The latest video essay comes from Fandor, and it breaks down the color grading that makes “Fury Road” such an eye-popping visual experience.

Sight, Sound & Story’s Fifth Annual Event Sells

July 8, 2017, 05:25 AM

http://www.btlnews.com/community/upcoming-events/s...

On June 10, 2017, Sight, Sound and Story celebrated their fifth annual Post Production Summit at the NYIT Auditorium on Broadway. Over 300 filmmakers, editors and post-production professionals gathered for a full day of panels focused on the art of post-production. This year’s panels included “Anatomy of a Scene: Deconstructing Documentary Films,” “Cinematic 360/VR Panel: […] The post Sight, Sound & Story’s Fifth Annual Event Sells Out For Second Year in a Row appeared first on ...

What's New in Adobe Premiere Pro CC - Karl Soule

July 8, 2017, 05:25 AM

https://www.aotg.com/whats-new-in-adobe-premiere-pro-cc-karl-soule/

Karl Soule from Adobe gave us a Post-NAB wrap-up of what's new in Adobe Premiere Pro CC. Karl also covers exactly what the Adobe Premiere team does. He also shows us to make a song shorter using ReMix.

LEGENDS of 2007 – Sydney

July 8, 2017, 05:25 AM

http://www.screeneditors.com.au/legends-of-2007/

It’s been 10 years since these Award winning Editors received their Accreditation!    ASE members are invited to join them for drinks and canapes on: Sunday 23rd July At 2:00 pm At D’Arcys Bar, Lord Dudley Hotel, 236 Jersey Road, Woollahra NSW   And discover what they all have been doing in the last ten years.   […]

Websites for Filmmakers

July 8, 2017, 05:25 AM

https://digitalfilms.wordpress.com/2017/07/07/webs...

There are plenty of places to go for budding filmmakers to learn more about their craft on the web. Naturally some places are better than others and forums often take on the atmosphere of a biker bar. Here are some of my top suggestions (in no particular order) for getting a better handle on the […]

David Yewdall Dies: ‘The Fifth Element’ & ‘T

July 7, 2017, 01:56 PM

http://deadline.com/2017/07/david-yewdall-dead-vso...

David Yewdall, a sound editor and teacher whose long career included work on such films as Escape From New York, The Thing, Twilight Zone: The Movie and The Fifth Element, has died. He was 66. His family confirmed to Deadline that Yewdall died Tuesday of pancreatic cancer at Forsyth Medical Center in Winston-Salem, NC.

Transcript: Digital Production Buzz – July 6, 20

July 7, 2017, 10:22 AM

http://www.digitalproductionbuzz.com/2017/07/trans...

HOST Larry Jordan GUESTS Rohan Vora, Senior Product Manager, Dropbox Jonathan Handel, Entertainment/Technology Attorney & Labor Reporter, TroyGould and The Hollywood Reporter Tom Coughlin, President, Coughlin Associates, Inc. Andrew Klein, Director, Product Marketing, Backblaze James DeRuvo, Film and Technology Reporter, DoddleNEWS == Larry Jordan: Tonight on the Buzz we are looking at cloud storage and breaking news. … The post Transcript: Digital Production Buzz – July 6...

TV Tokyo Uses URSA Mini 4.6K and Resolve 14

July 7, 2017, 08:13 AM

https://www.aotg.com/tv-tokyo-uses-ursa-mini-4-6k-and-resolve-14/

Blackmagic Design announced today that TV Tokyo’s new drama series “Izakaya Fuji,” which begins airing this July 8th, was shot using two Blackmagic URSA Mini 4.6Ks as the A and B cameras, as well as Blackmagic’s Video Assist and Video Assist 4K and SmartView 4K. On-set and final grading for the series was done using DaVinci Resolve Studio 14 and the DaVinci Resolve Mini Panel.

#color grading#post production#on-set
Boom Box Post: Sound Effects Microphone Shootout

July 7, 2017, 05:43 AM

http://designingsound.org/2017/07/boom-box-post-so...

Boom Box Post just published an in-depth microphone shootout between the Sennheiser MKH 8050, Sennheiser MKH 8060 and the Neumann KMR 82i. We wanted to test the timbre and character of each microphone as well as how they interacted with the acoustics in our edit bays.  To test the mics we recorded a variety of sample […]

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