It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 4, 2017, 04:59 AM
Episode 86 – Interview with Laura Vanderkam, Bestselling Author of “What the Most Successful People Do Before Breakfast”
July 3, 2017, 05:31 PM
http://www.studiodaily.com/2017/06/sounds-nightmar...
Mark Korven, the composer behind the deliciously creepy score for period supernatural drama The Witch, solos on The Apprehension Engine, a musical instrument crafted by guitar-maker Tony Duggan-Smith to scratch an especially spooky musical itch. The post Sounds of the Nightmare Machine appeared first on Studio Daily.
July 3, 2017, 05:29 PM
http://lesterbanks.com/2017/07/understanding-basic...
Matrix math is an important bit to technical 3D work. If you are getting into rigging or looking to further your foray into the technical arts, you need to understand how to use Matrix Math. The Post Understanding the Basics of Matrix Math in Maya originally appeared and published on %%BLOGLINK%,by lesterbanks
July 3, 2017, 11:06 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Union (www.unionvfx.com) has added three new VFX supervisors to its team in order to support the studio’s growing number of film and television projects. James Etherington-Sparks and Mark Michaels are new to the studio, while James Roberts was promoted from within. Union added secondary space in 2016 and the new additions will allow the studio to increase its volume of work.
July 3, 2017, 11:05 AM
http://www.artofvfx.com/leningrad-kolschik-vfx-bre...
Don’t miss this VFX breakdown by Russian studio CGF about their nice work on this music video of Leningrad...
July 3, 2017, 11:04 AM
http://www.effettidigitali.it/it/american-gods/
Effetti Digitali Italiani (EDI) presents their VFX work on AMERICAN GODS...
July 3, 2017, 05:12 AM
http://www.screeneditors.com.au/ase-mentor-and-men...
ASE MENTOR AND MENTEE MUSINGS Nick Beauman ASE and Jenny Hicks NICK BEAUMAN ASE – ASE Lifetime Member and Mentor: I have been in film post-production for 57 years; everything I’ve learned has largely been through trial and error, and I realise looking back how invaluable a mentor might have been for ME. I started out […]
July 3, 2017, 05:12 AM
http://www.fcp.co/final-cut-pro/news/1981-speeding...
Subtitles, love them or hate them, they are an essential part of constructing a programme for domestic or international distribution. Jan Willem den Bok has written a plugin that speeds up the process of building subtitles in a show on an FCPX timeline.
July 3, 2017, 05:12 AM
http://www.screeneditors.com.au/creating-the-sound...
Queensland Creating the Sound of War. In March, we collaborated with the Australian Screen Sound Guild (ASSG) on an event titled “Creating the Sound of War”. Academy nominated Sound Editor, Liam Price, took us on an exploration of the sound design from one of Hacksaw Ridge’s pivotal battle scenes. Liam started the session by playing the battle […]
July 3, 2017, 05:12 AM
http://www.screeneditors.com.au/freelancers-inform...
Victoria ASE Presents: Freelancers' Information Night 29TH March, 2017 – Sam Hardy An assembly of 28 assorted post practitioners ranging from students assistant editors and editors filled the upstairs room of The Palace Hotel to listen to the legendary Belinda Fithie. Belinda in the past has generously given her advice and recommendations based off her […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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