To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How well does Final Cut Pro X run on the new 12"

July 8, 2015, 05:28 AM

http://www.fcp.co/final-cut-pro/articles/1695-how-...

A really quick post & video, but an interesting one. Just how well does Final Cut Pro X run on the new 12" MacBook Retina?

How effects are processed in FCPX and exporting H2

July 8, 2015, 05:27 AM

http://www.fcp.co/final-cut-pro/tutorials/1694-how...

In this week's MacBreak Studio we look at the importance of the order of effects within Final Cut Pro X and look at exporting H264 from DaVinci Resolve.

Challenge accepted! We are going plastic free this

July 8, 2015, 05:27 AM

http://blogs.adobe.com/adobelife/2015/07/07/challe...

    On Friday, July 3, the Australian Green Team ran a morning tea in the Sydney office to kick off the Plastic Free July campaign. The green team and other volunteers prepared delicious food, all without the use of disposable plastic opting to carry in reusable containers instead. The goal was to raise awareness about plastic pollution and what easy steps everyone can take to decrease it whenever possible. Employees can pledge to not use any single-use disposable plastic items in...

EditFest Panels & Schedule

July 7, 2015, 04:42 PM

http://americancinemaeditors.org/editfest-panels/

Confirmed EditFest LA Panelists to this date: (panelists always subject to change) Saturday, August 1, 2015: 9:30 am – 9:50 am Check in (Coffee and Pastry will be served) 10:00 am – 11:30 am “From the Cutting Room to the Red Carpet” (Oscar and ACE Award nominees discuss their prize-winning work) Elisa Bonora – Glen […]

MacBreak Studio: Ep 317 The Effects Processing Pip

July 7, 2015, 12:18 PM

https://www.aotg.com/macbreak-studio-ep-317-the-effects-processing-pip/

In this episode, Steve will demonstrate why it’s important to apply color corrections as separate effects when creating looks or other color grades.

Deluxe Hires Orchard Exec as VP Marketing

July 7, 2015, 12:18 PM

http://www.hollywoodreporter.com/behind-screen/del...

Deluxe Entertainment Services Group — which includes postproduction brands Company 3 and Efilm and VFX house Method — has hired Jaclyn Ranere as its vp global marketing and communications.

BOXING DAY IN JULY

July 7, 2015, 05:08 AM

https://www.editorsguild.com/FromTheGuild.cfm?From...

On July 24, Southpaw, directed by Antoine Fuqua, shot by Mauro Fiore, ASC, edited by John Refoua, ACE, and starring Jake Gyllenhaal, will open in US theatres through The Weinstein Company. A story of about a boxer who goes down in defeat and fights for redemption, the film is also about a man losing his family and fighting to regain it. CineMontage had the chance to speak with editor John Refoua, ACE about his work on Southpaw.

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