To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Filmmakers test Unreal Engine’s in‑camera VFX toolset
July 23, 2021, 08:42 AM
https://www.provideocoalition.com/filmmakers-test-...
Recently, Epic Games and filmmakers’ collective Bullitt assembled a team to test out the latest in-camera VFX toolset in Unreal Engine. A short and BTS show what is possible to achieve. Virtual Production is here to stay, and the extensive suite of virtual production tools available in Unreal Engine 4.27 contribute to make that possible. We have seen it [...]Read More...
Color Grading and Career Advice with "Mad Max: Fury Road" Colorist Eric Whipp
July 23, 2021, 08:42 AM
http://manhattaneditworkshop.blogspot.com/2021/07/...
Colorist Eric Whipp joined Gordon Burkell to answer questions about Mad Max: Fury Road, Color Correction, and give career advice. Eric talks about his workflow while working remotely, as well as the delicate balance of working with clients. If you want to learn more directly from Eric on his processes, his insights and his vast amount of experiences; check out our online class with Eric here.Eric Whipp was born in Auckland, New Zealand, and raised in Australia. He became a colorist in...
Color Grading Jaguar-Poaching Documentary Tigre Gente
July 23, 2021, 08:41 AM
https://postperspective.com/color-grading-jaguar-p...
Goldcrest Post in New York City has provided post services for Tigre Gente, director Elizabeth Unger’s feature documentary about jaguar trafficking. Senior colorist Steve Beganyi worked with Unger to finalize the look of the film, which shows how the Latin American animal is being hunted to extinction to satisfy illegal demand for its teeth and other artifacts in distant parts of the world. Continue reading → July 22, 2021 The post Color Grading Jaguar-Poaching Documentary Tigre Gente...
VFX Supervisor Damien Stumpf joins Framestore Montreal
July 22, 2021, 09:05 AM
https://postperspective.com/vfx-supervisor-damien-...
Framestore in Montreal has added Damien Stumpf to its team as VFX supervisor. Stumpf brings over two decades of experience to Framestore, including working on independent and feature films. His latest high-profile project as VFX supervisor was Cruella, which saw him work closely with the film’s director, Craig Gillespie, and the film’s overall VFX supervisor, Continue reading → July 21, 2021 The post VFX Supervisor Damien Stumpf joins Framestore Montreal appeared first on postPerspective.
An Art of the Frame interview with editors of LEGO MASTERS
July 22, 2021, 09:04 AM
https://www.provideocoalition.com/an-art-of-the-fr...
This is the “print” version of my chat with Sara Scotti and Karl Kimbrough, both editors on Fox’s LEGO MASTERS. You can subscribe to the Art of the Frame podcast on Anchor, Apple Podcasts, Spotify or wherever you catch your podcasts. The podcast will publish on Tuesday, July 27. This is a cleaned-up transcript of three [...]Read More...
The Mysterious Benedict Society Philippe Thibault
July 22, 2021, 09:04 AM
https://www.artofvfx.com/the-mysterious-benedict-s...
Philippe Thibault has been working in visual effects for over 20 years. He is the co-founder of the studio FOLKS. He has worked on various shows such as 12 Monkeys, Arrival, Shadowhunters: The Mortal Instruments and Jupiter’s Lagacy.
Republic Editorial Adds Colorist Bryan Bayley, Editor Shaddai Berron
July 21, 2021, 09:16 AM
https://postperspective.com/republic-editorial-add...
Dallas-based Republic Editorial has added Flame artist/colorist Bryan Bayley and creative editor Shaddai Berron. The two joined the team in early summer and have already collaborated on several projects, including a recent campaign for Dolce & Gabbana featuring DJ Khalid and PJ Tucker. A technical and creative artist, Bayley brings his years of experience working with brands such as Home Depot, Continue reading → July 20, 2021 The post Republic Editorial Adds Colorist Bryan Bayley, Editor Sha...
Republic adds two former Treehouse Edit creatives
July 21, 2021, 09:16 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
DALLAS — Republic Editorial (www.republicedit.com) had added seasoned Flame artist/colorist Bryan Bayley and creative editor Shaddai Berron to its team. The two have already collaborated on several projects, including a recent campaign for Dolce & Gabbana, featuring DJ Khalid and PJ Tucker.
A Quiet Place Part II Scott Farrar ASC Overal
July 20, 2021, 09:00 AM
https://www.artofvfx.com/a-quiet-place-part-ii-sco...
Back in 2018, Scott Farrar explained ILM‘s work on A Quiet Place. He’s back today to tell us about the sequel to that film.
Newest from AOTG.com
-
Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
-
Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
-
Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Site Links
Tools
Sister Sites
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.