To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Watch: Why Sounds Make Up the DNA of 'Blade Runner
May 22, 2017, 02:28 PM
http://nofilmschool.com/2017/05/watch-sounds-blade...
Takes a close listen to the sounds of Blade Runner and you might find they're even more integral to the film than you thought.
THE SPACEWALKER (VREMYA PERVYH): VFX Breakdown
May 22, 2017, 02:28 PM
http://www.artofvfx.com/the-spacewalker-vremya-per...
Argunov Studio presents their nice work made for THE SPACEWALKER (VREMYA PERVYH)...
Composer Mark Isham Scoring Marvel’s Cloak and D
May 22, 2017, 03:43 AM
http://www.btlnews.com/news/composer-mark-isham-sc...
Mark Isham has been announced to score the upcoming series Cloak and Dagger, created for Freeform by Joe Pokaski, is based on the Marvel Comics‘ characters of the same name, and follows the story of two teenagers from very different backgrounds who find themselves burdened and awakened to newly acquired superpowers while falling in love. Isham […] The post Composer Mark Isham Scoring Marvel’s Cloak and Dagger appeared first on Below the Line.
Cutting a SXSW Indie Feature Film in Front of 40K
May 22, 2017, 03:43 AM
http://www.fcp.co/final-cut-pro/articles/1965-cutt...
Cast your mind back to April 2016. We published a short article about Sven Pape and how he planned to edit a feature film on FCPX live on the internet for everybody to watch. Well, the film is finished and Sven and his colleague Dustin Hughes presented about the feature "Flesh and Blood" on the Faster Together stage at NAB 2017.
Sunday Sound Thought #73 — A Voice
May 22, 2017, 03:43 AM
http://designingsound.org/2017/05/sunday-sound-tho...
I finished Haruki Murakami’s “Wind / Pinball” a while ago, and this month’s Language / Lingo theme got part of it resonating in my memory. The novels are forewarded with Murakami’s own narrative on how he came to realize he should be a writer. It dawned on him in a moment: the crack of a double in a […]
Female VFX Pioneers
May 21, 2017, 05:29 AM
https://www.themarysue.com/women-in-visual-effects...
In 1989, I was a young feminist who wanted to be a filmmaker. While there weren’t many women in this fairly “boys club” field, Academy Award winner Ed Jones hired me in Optical because he knew I could do the job. Approximately 25 people worked in the ILM optical department. The few women in this department – Peg Hunter, Lori Nelson, Mary Walter, and me – were effects pioneers in a male world.
Get to Know Arnold 5’s New Mix Shader
May 20, 2017, 01:00 PM
http://lesterbanks.com/2017/05/get-know-arnold-5s-...
Arnold 5 debuted with a bunch of new shaders. One of them is a new Standard Surface shader, which replaces the older AiStandard. Also of note is a new Mix Shader, for creating multi-layered or The Post Get to Know Arnold 5’s New Mix Shader originally appeared and published on %%BLOGLINK%,by lesterbanks
Avid Pro Tools | S6 Offers More Flexibility, Focus
May 20, 2017, 04:58 AM
http://www.avidblogs.com/avid-pro-tools-s6-offers-...
The article Avid Pro Tools | S6 Offers More Flexibility, Focus and Faders for Park Studio by Avid appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
EditFest London Schedule & Panel
May 19, 2017, 05:26 PM
https://americancinemaeditors.org/editfest-london-...
8:30am – 9:15am Check-in and registration (coffee provided) 9:15am – 9:25am Stephen Rivkin comments and BMD intro 9:25a – 9:40am
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