To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Premiere Pro Tip: Make Clip Replacements and Revis
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Learn three commands that will make your revisions faster and easier with this Premiere Pro tip!
When my boss asks what s/he could do to help fix a
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http://renderplease.com/post/121112569585
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Homeland's Editor on Creating High-Stakes Episode
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http://variety.com/2015/artisans/news/homeland-13-...
He was tasked with editing “13 Hours in Islamabad.” The 10th episode in the fourth season of Showtime’s Emmy-winning “Homeland,” it’s perhaps better known as “the one where stuff went down.”
The Palm Beach Story (1942)
June 9, 2015, 04:51 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“That's one of the tragedies of this life – that the men who are most in need of a beating up are always enormous.” — John D. Hackensacker III After back-to-back masterpieces Sullivan’s Travels and The Lady E...
Apple's WWDC 2015 in under 2 minutes
June 9, 2015, 04:49 AM
https://www.aotg.com/apples-wwdc-2015-in-under-2-minutes/
Don't have time for Apple's WWDC? Mashable's got your back. Here's the 2 min. version.
3D Title Animation Tips in Final Cut Pro X
June 9, 2015, 04:48 AM
https://www.aotg.com/3d-title-animation-tips-in-final-cut-pro-x/
This week on MacBreak Studio, Mark shows gives us some valuable tip on animating 3D Titles in Final Cut Pro 10.2 Check out our Final Cut Pro 10.2 In-Depth tu...
NSFW: Watch Orson Welles’s Porno Movie
June 8, 2015, 04:12 PM
http://www.vulture.com/2015/05/nsfw-watch-orson-we...
Josh Karp’s new book, Orson Welles's Last Movie: The Making of The Other Side of the Wind — written up recently in these pages — contains a marvelous, little-known story about the legendary filmmaker’s involvement in a high-end mid-1970s pornographic film. Welles, wrote Karp, “wound up editing a hard-core lesbian shower scene that he couldn’t resist cutting in Wellesian fashion with low camera angles and other trademark flair.”
Miguel Pérez (SAE) recibe gran reconocimiento int
June 8, 2015, 04:11 PM
http://www.edaeditores.org/miguel-perez-sae-recibe...
Por su excelencia como maestro, el CILECT (Asociación Internacional de Escuelas de Cine y TV) prestigioso organismo que reúne a más de 160 escuelas de 60 países, ha decidido honrar a Miguel Pérez, gran maestro de generaciones de montajistas argentinos, miembro fundador de SAE y Socio Honorario de EDA con el CILECT Teaching Award 2015 en reconocimiento a su […]
Miguel Pérez (SAE) obtuvo el Premio a la Docencia
June 8, 2015, 09:43 AM
http://saeditores.org/Novedades/Miguel-Perez-SAE-o...
Miguel Pérez (SAE) fue distinguido con el Premio a la Docencia que otorga la Asociación Internacional de Escuelas de Cine y Televisión, CILECT (Centre International de Liaison des Écoles de Cinéma et de Télévision) como una forma de reconocer la excelencia en la pedagogía en cine y televisión...
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http://renderplease.com/post/121027929520
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