To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
How to Cut a Trailer for a Movie Where No One Spea
May 15, 2015, 10:47 AM
http://filmschoolrejects.com/features/how-to-make-...
After seeing The Tribe at Fantastic Fest last year, my third question was how they could possibly market it. The film has zero spoken dialogue, and all the sign language (which is Ukrainian) comes without subtitles attached. It’s a modern silent film without interstitial marquees that features unabated diagetic sounds and graphic, sometimes sexualized violence. I didn’t have long to think about how to advertise something this experimental, though, because I had to hop into a screening of Lar...
He made Tom Cruise 'forget the mouse.' Now it's ou
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http://www.engadget.com/2015/05/15/he-made-tom-cru...
In a way, John Underkoffler's like Hollywood's own Wizard of Oz. He's the man behind the curtain responsible for infusing blockbuster fantasy with real-world tech. He created the futuristic UI in Minority Report, worked on the timeline for Hulk's transformation and found a Soviet fusion reactor to blow up Stark Industries in Iron Man. He also recently received the Cooper Hewitt National Design Award for his work as an interface designer both in films and in the real world.
MEWShop to host one-day post event in NY
May 15, 2015, 10:46 AM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK — Manhattan Edit Workshop (MEWShop) ( www.mewshop.com), the authorized digital training destination for post production and content creators, has announced their lineup of guest speakers and panelists for its special one-day event, Sight, Sound & Story, which will be held on June 13, 2015 at the NYIT Auditorium on Broadway at Columbus Circle.
Mad Max: Behind the Scenes
May 15, 2015, 10:46 AM
http://www.premiumbeat.com/blog/mad-max-behind-sce...
To celebrate the release of Mad Max: Fury Road, let's take a behind-the-scenes look at the history of George Miller's explosive approach to filmmaking.
Whenever a problem comes up that I warned everyone
May 15, 2015, 10:46 AM
http://renderplease.com/post/119032619210
2015 AICE Awards: Cut + Run’s Sam Ostrove wins B
May 15, 2015, 10:45 AM
http://postperspective.com/2015-aice-awards-cut-ru...
At the 2015 AICE Awards, held May 14 at the Skirball Center in Los Angeles, the four-minute Volvo Vintersaga film from the Swedish ad agency Forsman & Bodenfors, edited by Sam Ostrove of Cut + Run, was named Best in Show. The film also won Ostrove the AICE Award in the Automotive category. Editors Graham Chisholm of Married to Giants, Chris Franklin of Big Sky Editorial, Joe Guest of Final Cut, Nadav Kurtz of Cutters and Adam Pertofsky of Rock Paper Scissors each won two AICE Awards. Chisho...
Jigsaw and Technicolor PostWorks Team for 'Sinatra
May 15, 2015, 10:44 AM
http://www.creativeplanetnetwork.com/news/post/jig...
For postproduction on filmmaker Alex Gibney’s HBO documentary Sinatra: All or Nothing at All, Technicolor PostWorks New York collaborated with Gibney’s production team and editors from Jigsaw New York. Airing on HBO as a four-hour miniseries, the film tells the story of Sinatra’s life and career leading up to his famous 1971 “retirement concert” in Los Angeles. Unusually, the documentary is composed almost entirely from archival material—there are no new on-camera interviews. Rather,...
Post Mortem Eps 32 - Budget Cuts, Animation Emmy's
May 15, 2015, 04:08 AM
https://www.aotg.com/post-mortem-eps-32-budget-cuts-animation-emmys/
This week's Post Mortem covers budget cuts in Canada and Australia, Animation Emmy Winners, Avengers VFX, and more.
Digital Production Buzz – May 14, 2015
May 15, 2015, 03:45 AM
http://www.digitalproductionbuzz.com/2015/05/digit...
On the Digital Production Buzz, Larry Jordan and Michael Horton talk with guests Mark August, Iain Richardson, and Seth Worley: Secrets of a Successful Cinematographer Beamshare: Collaborative Media Share and Review Creating Viral Videos that Work! The post Digital Production Buzz – May 14, 2015 appeared first on Digital Production BuZZ.
Pour l’amour d’un regard…
May 15, 2015, 03:45 AM
https://journaldunemonteuse.wordpress.com/2015/05/...
Je scrute tes yeux. Sont-ils plus « parlant » ici ou là ? Que disent-ils ? A quoi penses-tu dans ce taxi ? Dois-tu être plus en colère ? moins en colère ? A quel endroit de la prise aurais-je le plus … Lire la suite →
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