It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 5, 2017, 09:38 AM
http://www.cgmeetup.net/home/nike-winner-stays-vfx...
Luma Pictures – In this spot for Nike’s World Cup campaign, luma was asked to flex our CG Character muscles in order to help bring the Hulk off the bench and onto the pitch.
April 5, 2017, 07:08 AM
https://www.aotg.com/the-sound-of-power-rangers-movie/
We recently chatted with Supervising Sound Editor Joe Dzuban about his work on the Power Rangers movie reboot directed by Dean Israelite.
April 5, 2017, 07:08 AM
https://www.asoundeffect.com/game-audio-future-ben...
Senior audio director/sound designer Ben Minto at EA DICE in Stockholm, Sweden has spent the last 10 years working on their AAA-game franchises like Battlefield and Star Wars Battlefront. The audio team at DICE has won several awards for their sound work, most recently the 2017 D.I.C.E. award for Outstanding Achievement in Sound Design on Battlefield 1. And the year before, they won that D.I.C.E. award for their sound design on Star Wars: Battlefront.
April 4, 2017, 06:48 PM
https://fxfactory.com/blog/effects-2/videodenoise-...
Automatically remove grainy noise from video using simple, easy controls.
April 4, 2017, 06:47 PM
https://journaldunemonteuse.wordpress.com/2017/04/...
LA MONTEUSE Il me faut des plans pour habiller la séquence ! Je l’habille légèrement ? Elle risque de paraître « dénudée »… mais ça peut avoir sa force. Quelques plans, juste pour lier. Si je l’habille de trop, ça va se … Lire la suite →
April 4, 2017, 12:29 PM
https://www.aotg.com/miller-goes-off-road-with-gavin-rawlings/
Gavin Rawlings, director of photography and co-owner of Venture Films, uses Miller Camera Support Equipment, a leader in the production of innovating camera support solutions, to produce off-road travel programs, most recently season two of "LowRange," an Australian-based reality program that follows a team of adventurers as they explore the nearly two-and-a-half-million acres of the Australian Outback.
#millerApril 4, 2017, 12:24 PM
http://www.postmagazine.com/Press-Center/Daily-New...
MADRID, SPAIN — SGO (www.sgo.es) is drawing from its established Mistika technology to introduce new pipeline tools that will be more accessible to the post community as a whole. The company’s Mistika system, which began development back in 1996 and first appeared as a product in 2001, is an all-in-one, Linux-based post production solution capable of performing editing, compositing, color grading, 3D, VR and finishing. At NAB, SGO is “slicing” the system into tools that address diffe...
April 4, 2017, 12:23 PM
http://www.videoguys.com/blog/review-red-giant-mag...
DigitalFilms blogger Oliver Peters weighs in on the recently released Magic Bullet Suite 13. For video editors looking to enhance the look of their footage who use Adobe Premiere Pro or Apple Final Cut Pro, the Magic Bullet Suite is a valuable toolkit. Color correction, finishing and film looks, Magic Bullet Suite brings intuitive, powerful Read More The post Review: Red Giant Magic Bullet Suite appeared first on Videoguys Blog.
April 4, 2017, 12:22 PM
https://filmschoolrejects.com/birdman-cuts-9c98345...
One of the greatest tricks Alejandro Gonzalez Inarritu has yet to play on audiences is the illusion that Birdman (OR: The Unexpected Virtue of Ignorance) is a single-take film. A cursory watch of the film will convince you that it is an uninterrupted narrative stream in which every actor always hits their mark and every millisecond of timing works out perfectly. In reality, though, while the shoot was built on extended sequences, like Hitchcock’s Rope, another purported single-take film, there...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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