It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 10, 2017, 01:16 PM
http://www.studiodaily.com/2017/11/138605/
The Verge’s Lauren Goode visits the biophysical labs at Dolby, where the company is striving to prove that more realistic imagery — for example, the kind of ultrabright picture you get using HDR technology and, say, a Dolby Vision-enabled monitor — increases an audience’s emotional response to movie scenes. The post How Dolby Is Measuring Human Emotions to Hack Hollywood appeared first on Studio Daily.
November 10, 2017, 10:36 AM
http://www.btlnews.com/blog-the-line/contender-com...
Nitin Sawhney has had a year that most artists only dream of: winning the Ivor Novello Lifetime Achievement Award, having his latest CD turned into a fully choreographed production that will be touring globally, and scoring two films, Breathe, released October 13, and The Jungle Book, premiering in 2018. Both films were directed by long-time […] The post Contender: Composer Nitin Sawhney – Breathe appeared first on Below the Line.
November 10, 2017, 07:07 AM
http://www.avidblogs.com/dolby-atmos-improvements-...
The article Dolby Atmos® Improvements in Pro Tools | HD 12.8.2 by Jeff Komar appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
November 10, 2017, 07:06 AM
https://www.aotg.com/audition-cc-tour-the-interface-and-key-audio-tool/
You know you can improve the sound of your Adobe Premiere Pro CC projects if you mix them in Adobe Audition – but how? Lisa H. suggested this webinar, when she wrote: “I don’t know exactly how to use Audition but I know it’s powerful and want to learn.”
November 10, 2017, 06:59 AM
https://www.provideocoalition.com/amia-2017-new-or...
This year, AMIA shines a spotlight on efforts being made to preserve and provide access to underrepresented archives, but workshops, screenings and case studies will be part of the event, which takes place in New Orleans.
November 9, 2017, 01:52 PM
http://postperspective.com/creating-sounds-for-bat...
By Jennifer Walden Fox Searchlight’s biographical sports, drama Battle of the Sexes, delves into the personal lives of tennis players Bobby Riggs (Steve Carell) and Billie Jean King (Emma Stone) during the time surrounding their famous televised tennis match in 1973, known as the Battle of the Sexes. Continue reading → November 9, 2017 The post Creating sounds for Battle of the Sexes appeared first on Randi Altman's postPerspective.
November 8, 2017, 10:28 AM
http://designingsound.org/2017/11/gamasutra-audio-...
Martin Stig Andersen (Limbo, INSIDE) has written an extensive piece about his recent work on Wolfenstein II: The New Colossus in which he describes his use of Baschet Instruments, unique sound sculptures created by two French Brothers named François and Bernard Baschet. You can read the full article here.
November 7, 2017, 10:37 AM
http://www.btlnews.com/blog-the-line/cinema-audio-...
Chris Newman And Jeff Haboush Join Cinema Audio Society Board Of Directors6 November 2017, Los Angeles—The Cinema Audio Society welcomes new Board Members, Re-recording Mixer Jeffrey J. Haboush, CAS and Production Sound Mixer Chris Newman, CAS. Chris and Jeff will be filling the vacancies on the Board left by the recent passing of Production Mixer […] The post Cinema Audio Society adds Two Board members appeared first on Below the Line.
November 7, 2017, 10:36 AM
http://reaperblog.net/2017/11/codwwii_w_roget/
Last week in a Facebook group post Wilbert Roget II announced he had completed the score for the upcoming game Call Of Duty WWII, entirely in a single REAPER project. Seeing REAPER used on such a high profile game really feels like a victory for the community. Wilbert’s announcement turned to a Q&A which I have collected and reformatted to not be lost ephemerally. My own questions to Wilburt follow the community Q&A.
November 7, 2017, 05:37 AM
http://deadline.com/2017/11/edgar-wright-baby-driv...
In our first Crew Call podcast of awards season, we sit down with Baby Driver director Edgar Wright and his supervising Sound Editor/Sound Designer Julian Slater to discuss how they made the director’s passion project the visceral and aural experience of the summer — an original piece of IP that could be seen only in theaters and stood out among a sea of dusty franchises.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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