It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 15, 2017, 05:09 AM
https://www.aotg.com/windscreens-and-pop-filters/
Windscreens (as the name suggests) prevent microphone capsules from being overdriven by wind. Windscreens are an integral part of some mics, but usually windscreens are separate items that can be added when needed.
March 14, 2017, 01:40 PM
https://www.aotg.com/flesh-and-blood-graded-with-davinci-resolve/
2017 South By Southwest (SXSW) debut film “Flesh and Blood” was shot with several of Blackmagic Design’s digital film cameras, including URSA Mini 4.6K, Production Camera 4K and Pocket Cinema Camera, by DP Patrice Lucien Cochet. Producer and Post Production Supervisor Dustin Hughes also used Blackmagic Design’s professional editing, color grading and finishing solution DaVinci Resolve Studio to color grade the film, as well as Fusion for visual effects (VFX) work.
#vfx#color grading#post productionMarch 14, 2017, 01:37 PM
https://www.aotg.com/sound-design-uses-fairlight-for-grammy-awards/
Blackmagic Design today announced that Sound Design Corporation uses Fairlight DAWs with Xynergi controllers to deliver audio for major award shows, including the 59th Annual GRAMMY® Awards. For more than 20 years, Fairlight has helped Sound Design Corporation deliver all its audio post and broadcast projects, including variety and award shows, television series and specials, documentaries, shorts, commercials, video games and more.
#editing#audio#mixing#sound designMarch 14, 2017, 12:06 PM
http://blogs.adobe.com/creative/make-the-cut-do-yo...
Are you the next up-and-coming music video editing visionary? Today, Adobe is launching our “Make the Cut” contest in celebration of the 25th anniversary of Premiere Pro. We’re offering you a once-in-a-lifetime opportunity to cut a video for “Believer,” the new hit single by mega-band Imagine Dragons. In an industry first, Imagine Dragons is offering fans full access to their creative license so you can edit your version of the music video using Premiere Pro CC. The Grand Prize ...
March 14, 2017, 12:06 PM
http://blogs.adobe.com/creative/celebrating-25-yea...
The early 1990s saw the start of a revolution in digital technology that would transform the world of film, television, and video production – and continues to do so today. Adobe Premiere, released in 1991, was part of that revolution. Instead of a traditional video editing system comprised of expensive hardware, Premiere was software-only and could run on an affordable computer. With Adobe Premiere the user could place clips on the timeline, add effects, transitions, and a soundtrack. It...
March 14, 2017, 09:28 AM
http://saeditores.org/Novedades/Candidatos-al-prem...
En el marco del 13º Encuentro Pantalla Pinamar, la Asociación de Cronistas Cinematográficos de la Argentina (ACCA) anunció las nominaciones para los 65˚ Premios Cóndor de Plata, que serán entregados en el próximo mes de junio y premiarán a la producción cinematográfica de 2016.
March 14, 2017, 09:28 AM
http://lesterbanks.com/2017/03/tips-animate-snappy...
Animating a run cycle from poses? Are you in 2D or 3D? Technically, it doesn’t really matter. Getting “snap” out of animation can be tricky. Often new animation from inexperienced users tends to look like The Post Tips for How To Animate a Snappy Run Cycle originally appeared and published on %%BLOGLINK%,by lesterbanks
March 14, 2017, 09:28 AM
http://blogs.adobe.com/conversations/2017/03/celeb...
The early 1990s saw the start of a revolution in digital technology that would transform the world of film, television, and video production – and continues to do so today. Adobe Premiere, released in 1991, was part of that revolution. Instead of a traditional video editing system comprised of expensive hardware, Premiere was software-only and could run on an affordable computer. With Adobe Premiere the user could place clips on the timeline, add effects, transitions, and a soundtrack. It...
March 14, 2017, 09:28 AM
http://blogs.adobe.com/creative/premiere-pro-fete-...
Le début des années 1990 a marqué le départ d’une révolution digitale qui allait transformer l’univers de la production cinématographique, télévisuelle et vidéo. Une transformation qui se poursuit encore aujourd’hui. Sorti en 1991, Adobe Premiere a participé à cette révolution. À la différence des systèmes de montage vidéo classiques composés d’équipements matériels onéreux, Premiere était un logiciel unique pouvant fonctionner sur un ordinateur à un coût ab...
March 14, 2017, 09:27 AM
http://postperspective.com/flavor-detroit-welcomes...
Twenty-year industry veteran Scott Stephens has joined Flavor Detroit as senior VFX artist/designer. Previously the lead designer at Postique, Stephens has been a key part of the post boutique Section 8 as co-founder and lead designer since its launch in 2001. Known for his work with top brands and directors on major commercial campaigns for Blue Cross Blue Shield (BCBS), Continue reading → March 14, 2017 The post Flavor Detroit welcomes VFX artist/designer Scott Stephens appeared firs...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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