To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

International Women’s Day 2020 — An Equal Worl

March 9, 2020, 12:12 PM

https://www.youtube.com/watch?v=mztACcJXBYk

Today on International Women’s Day 2020, Avid leaders Melissa Puls (CMO), Kathy-Anne McManus (CCXO) and Diana Brunelle (CHRO) celebrate women’s achievements and talk about how to create a gender equal world. https://www.avid.com Follow Avid: https://facebook.com/avid https://instagram.com/avidtechnology https://twitter.com/avid https://www.linkedin.com/company/avid-technology https://www.snapchat.com/add/avidtechnology https://www.tiktok.com/@avidtechnology

5 Ways to Avoid the Horrors of Every Student Film

March 9, 2020, 12:11 PM

https://www.premiumbeat.com/blog/tips-for-student-...

This video is a masterclass in how to keep your student film (or any film, for that matter) on the rails. Take a look at mistakes you ...

DaVinci Resolve gets highly anticipated BRAW recor

March 9, 2020, 12:09 PM

https://www.redsharknews.com/production/item/7042-...

Blackmagic released some notable updates to its popular apps, which includes DaVinci Resolve 16.2, Blackmagic RAW 1.7 and and the eagerly anticipated Video Raw Assist 3.1. Let’s take a look at what’s new. Blackmagic DesignVideo Assist BRAWCanon C500 II

Quick Chat: Editing Leap Day short for Stella Arto

March 6, 2020, 05:28 PM

https://postperspective.com/quick-chat-editing-lea...

By Randi Altman To celebrate February 29, otherwise known as Leap Day, beer-maker Stella Artois released a short film featuring real people who discover their time together is valuable in ways they didn’t expect. The short was conceived by VaynerMedia, directed by Division7s Kris Belman and cut by Union partner/editor Sloane Klevin. Continue reading → March 5, 2020 The post Quick Chat: Editing Leap Day short for Stella Artois appeared first on postPerspective.

Blackmagic Video Assist 3.1 and Blackmagic RAW 1.7

March 6, 2020, 03:42 PM

https://www.aotg.com/blackmagic-video-assist-3-1-and-blackmagic-raw-1-7/

Blackmagic Design today announced Blackmagic Video Assist 3.1 and Blackmagic RAW 1.7 which add support for Blackmagic RAW recording from Panasonic EVA1 and Canon C300 MK II cameras on the new Blackmagic Video Assist 12G models. This update lets customers take advantage of Blackmagic RAW workflows and allows dramatically improved quality and creativity in the post production process. Blackmagic Video Assist 3.1 also adds support for metadata entry allowing shots to be logged and tagged on set for

#blackmagic design#blackmagic raw#video assist 12g
How to use the new Lifestyle Collection

March 5, 2020, 02:30 PM

https://newbluefx.com/blog/how-to-use-the-new-life...

So, you’ve just gotten the new Lifestyle Template Collection and you’re excited to use it. But how do you use it? And where is it even located? We’ll answer those questions and more today! Soon you’ll be on your way to creating professional, engaging titles for your next project. To locate the Lifestyle Collection, click The post How to use the new Lifestyle Collection appeared first on NewBlue.

2020 FELLOWSHIP OPEN CALL HAS BEGUN!

March 5, 2020, 02:30 PM

http://www.karenschmeer.com/news/2020/3/3/2020-fel...

The Open Call for submissions for our 2020-21 Emerging Editor Fellowship has begun! If you are an emerging documentary film editor who has cut between one and three films with at least one of those being a documentary, please take a look at our FAQ to see all of our eligibility rules. Please keep in mind that while our fellows have edited many successful and high profile films, most of them only had one feature credit when they applied.The online application deadline is Friday, March 13, 202...

How To Become a Working Editor (The Short Version)

March 5, 2020, 02:29 PM

https://www.youtube.com/watch?v=OOBvnbRYG_8

What editors do with real film footage, focused storytelling and essential career moves. Stoked for a new generation of storytellers. COURSE INFO: https://thisguyedits.com/thegotoeditor Go-To Editors are on speed-dial of directors, producers, and clients. They get to pick the projects they want to work on and can ask for premium payment rate. This course is for beginners and intermediates and can be used with any editing system. As a matter of fact, if you don't have any editing sof...

KSFEF & THE AMAZING LIVING HISTORY OF FEMALE FILM

March 5, 2020, 02:29 PM

http://www.karenschmeer.com/blog/2020/3/3/ksfef-am...

From the Adobe Blog: 2019 fellow Victoria Chalk shares how Karen’s legacy of generosity and mentorship is helping her find her voice.Women belong in the edit bay. From Thelma Schoonmaker, the editor behind masterpieces like Raging Bull, to Joi McMillon, the first black woman nominated in Oscar category for editing for her commanding work on Moonlight, to Mary Sweeney, the timeline maestro behind David Lynch’s gloomy dreamscapes, countless cinematic successes have been shaped by hardworki...

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