It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 2, 2017, 09:07 AM
http://jonnyelwyn.co.uk/film-and-video-editing/tom...
A round up of interviews and videos with editor Tom Cross on his award winning work on La La Land and Whiplash...
#editing#la la land#tom crossMarch 1, 2017, 05:53 PM
https://www.inverse.com/article/28410-king-kong-vi...
owadays, when we see giant creatures stomping across our screens, it goes without saying that there’s some nifty computer graphics behind the action. And that’s certainly the case in Jordan Vogt-Roberts’ Kong: Skull Island, which features incredible visual effects from Industrial Light & Magic.
March 1, 2017, 05:47 PM
http://www.youtube.com/watch?v=rVdYeT24dSw
Are you prepared to reach your greatest potential this year? Join us at Avid Connect 2017, where media professionals come together and prepare for the year ahead. Push your own limits and the limits of our profession. Test new ideas and strengthen skills. Meet industry leaders and network with collaborators. Use the power of your participation to expand the possibilities for ourselves and our industry. Be ready to make your next big move. Avid Connect is the greatest gathering of me...
March 1, 2017, 05:47 PM
http://renderplease.com/post/157867691845
Ideally:Realistically:
March 1, 2017, 05:47 PM
http://postperspective.com/swedish-postvfx-company...
Swedish post company Chimney has opened a Los Angeles facility, its first in the US, but one of their 12 offices in eight countries. Founded in Stockholm in 1995, as a whole, Chimney produces over 6,000 pieces for more than 60 countries each year, averaging 1,000 projects and 10,000 VFX shots. Continue reading → March 1, 2017 The post Swedish post/VFX company Chimney opens in LA appeared first on Randi Altman's postPerspective.
March 1, 2017, 05:47 PM
http://edaeditores.org/comunicado-anuncio-del-plan...
Compartimos el video y la declaración de la Multisectorial Audiovisual en el anuncio de su Plan de Acción Federal Declaración Conferencia de prensa 22/02/2017 La grave situación que atraviesa todo el sector de la producción de contenidos audiovisuales de origen nacional, agravada por el constante ingreso de producciones extranjeras en clara competencia dispar, ya que […]
March 1, 2017, 05:45 PM
https://filmschoolrejects.com/the-pure-cinema-of-a...
When filmmakers and other folks in the know make mention of “pure cinema,” they are referring to films that rely heavily on their imagery for storytelling. Cinema is, after all, a visual medium, not just a place for dialogue to come alive, and as such to distinguish itself from other storytelling media cinema must take advantage of its particular facets. This might seem obvious, but scan the list of films released, say, last year, and you’ll come across far more that feel like they’re ju...
March 1, 2017, 10:00 AM
http://www.fcp.co/final-cut-pro/articles/1936-edit...
We welcome Einar Johnson from Pixel Bokeh Productions who very kindly let us publish his story on how his company edited a highlight reel during the course of a corporate conference. Of course, FCPX was one of the stars!
March 1, 2017, 06:41 AM
http://www.cgmeetup.net/home/worldwide-fx-film-ree...
Here is a taste of Worldwide FX’s artistry during the years, featured in movies such as “London Has Fallen”, “Criminal”, ” The Expendables” franchise, “Automata”, “Septembers of Shiraz” and many more.
March 1, 2017, 06:40 AM
https://www.aotg.com/weta-digitals-tissue-system-horse/
The horse turntable was created to showcase how our creatures and animals are built from the inside out. A skeleton, muscle fibers, fascia, fatty tissue, skin and hair are all combined to create a model that is anatomically plausible. We use our Academy Award® winning Tissue software to simulate muscle jiggle and to contract each muscle based on the horse’s movements.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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