To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

After Effects Hidden Gems: Grow Bounds

June 15, 2015, 12:41 PM

http://www.provideocoalition.com/after-effects-hid...

Some effects - usually those in the Distortion category - will try to create new pixels in After Effects that should appear beyond the layer’s original boundaries. Sometimes, it’ll be okay - but sometimes, they’ll get clipped off by the layer’s boundaries:

La última palabra: Reescrituras en la sala de mon

June 15, 2015, 12:41 PM

http://saeditores.org/Novedades/La-ultima-palabra-...

Segunda parte de la mesa La última palabra: Reescrituras en la sala de montaje, organizada por SAE y EDA en el marco del 17° Festival Internacional de Cine de Buenos Aires (BAFICI). Con la participación de Loli Moriconi (EDA) y Alejandro Carrillo Penovi (SAE) como expositores, y Alberto Ponce (SAE) en el rol del moderador.En esta segunda entrega, Alejando Carrillo Penovi (SAE) desarrolla una versión del “viaje del héroe” de Joseph Campbell como alegoría del proceso de montaje e ilu...

How Do We Measure an Audience?

June 15, 2015, 12:38 PM

https://www.aotg.com/how-do-we-measure-an-audience-2/

The success of a film or video is often judged on the size of the audience - but how do we measure that audience? - It's not always as simple as counting tickets. In this lesson we look at the techniques and methods studios and distributors use to calculate who has seen their products and try to make sense of all those Box Office Numbers and Ratings.

EditShare Presents New “Enterprise-Class” Stor

June 15, 2015, 12:07 PM

http://www.editshare.com/press/pr-smpte-enterprise...

New XStream EFS scale out storage solution combines enterprise-class storage with advanced media management capabilities; Flow MAM increases facility efficiency including remote collaboration toolset for editorial review

#editshare#mam#editshare flow#editshare xstream efs#smpte 2015
Miller Spans the Globe with Abraham Joffe

June 15, 2015, 09:28 AM

https://www.aotg.com/miller-spans-the-globe-with-abraham-joffe/

When internationally award-winning Australian cinematographer Abraham Joffe set out to document the lives of five world-class photographers as they captured incredible images for the recently completed National Geographic channel series Tales by Light, he turned to Miller Camera Support Equipment

textsyncr tutorial

June 15, 2015, 09:25 AM

https://www.aotg.com/textsyncr-tutorial/

Layer markers from audio transcription - drive subtitles, the Monkey scripts and more.

THUNDERBOLT DOCKS – A REVIEW

June 15, 2015, 04:53 AM

http://lfhd.net/2015/06/13/thunderbolt-docks-a-rev...

I’ve been editing from home lately, and using my 2012 MacBook Pro as my main editing computer. I had to abandon my 2008 MacPro tower as it’s really showing it’s age. It’s getting finicky with random crashes, the AJA card in it is finally giving up the ghost (8 solid years with that baby!) and it’s just plain slow compared to my 2012 MacBook Pro.

VR Post Production Challenges

June 14, 2015, 04:30 PM

http://wp.me/p45CkU-1f9

Now that narrative content is being considered, VR post production eventually will become something more for editors to become familiar with.

#editing#filmmaking#entertainment#cinematography#media trends#vr#virtual reality#e3
The FCP X – RED – Resolve Dance II « digitalf

June 14, 2015, 03:28 AM

https://digitalfilms.wordpress.com/2015/06/13/the-...

Last October I wrote about the roundtrip workflow surrounding Final Cut Pro X and Resolve, particularly as it relates to working with RED camera files. This month I’ve been color grading a small, indie feature film shot with RED One cameras at 4K resolution. The timeline is 1080p. During the course of grading the film…

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