To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

HPA Tech Retreat 2015 - Day 2

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http://provideocoalition.com/awilt/story/hpa-tech-...

From Mark Schubin's Intro and Year in Review, through Pete Putman's CES Review, it's day 2 of the Tech Retreat. Plus, we get to debate integer vs. fractional frame rates again, a topic that will never die. [Updated 13:37 PST (typos and clarifications): I'll be updating...

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http://provideocoalition.com/news/story/key-code-m...

To support the growing IT challenges broadcast, post production, and corporate video face today, Key Code Media is strengthening its technical staff. With a focus in live production, collaborative editorial, storage/archive, media management, and content delivery, we are bringing on multiple...

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https://www.aotg.com/power-of-story-visions-of-independence/

Kicking off Art of Film Weekend, a program celebrating the craft of filmmaking, join Robert Redford and George Lucas—two iconic filmmakers who epitomize the...

Avid Customers Triumph at the BAFTA® Film Awards

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http://feeds.avid.com/~r/AvidPressRoom/~3/3AF3EXRH...

Winners and nominees embrace Avid Everywhere to create films honored at the U.K.’s most prestigious film awards

Avid has strong showing at BAFTA Awards

February 11, 2015, 10:30 AM

http://www.postmagazine.com/Press-Center/Daily-New...

BURLINGTON, MA — The British Academy Film Awards 2015 were hosted by the British Academy of Film & Television Arts (BAFTA) in London  recently, and Avid’s tools were used on many of the nominees, including the Best Film winner, Boyhood. Fellow nominees  The Grand Budapest Hotel, The Theory Of Everything, Birdman and  The Imitation Game all employed Avid tools in their workflow.

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https://www.videoguys.com/Blog/E/The+Editing+Essen...

Editing can be a very consuming and at times cumbersome experience for many filmmakers. Mike Wilkinson recently went into detail on FStoppers.com in talking about what he’s learned in his time crafting a workflow for editing video as a freelancer, and in reading it I was able to see that many of his investments and opinions were ones I’ve put into use myself as well. In this piece I’ll take his insights, and add to them from my personal experiences:

Jaws' Shot by Shot Breakdown

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http://www.mentorless.com/2015/02/11/watch-jaws-sh...

Antonios Papantoniou delivered a video essay that will make filmmakers’ day: a shot by shot cinematic breakdown of Jaws, Steven Spielberg‘s classic, looking at the type of shots, the camera angles, the camera movements, the duration of shots.

Why 'Fix It In Post' Doesn't Work

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https://fstoppers.com/business/why-well-fix-it-pos...

Ever hear someone say “Don’t worry, we can fix it in post”? This is increasingly both a still photography and motion ‘issue’. We’ve so accustomed to having the digital tools to ‘fix’ our work, most people see it as a normal part of the process. For personal and business growth, this mindset is like asking to be blindfolded and then getting directions to the nearest minefield. Fixing things in post should not be a standard approrach as it's asking for trouble. Here’s why, ...

You've Got Mail (1998)

February 11, 2015, 07:11 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“I would send you a bouquet of newly sharpened pencils if I knew your name and address.” — Joe Fox ...

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