It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 15, 2017, 09:30 AM
http://www.artofvfx.com/gold-vfx-breakdown-edi/
Italian studio EDI presents their VFX work on GOLD...
February 15, 2017, 04:50 AM
https://www.aotg.com/misha-tenenbaum-signal-in-the-noise/
Filmmaking is about to experience its Money Ball moment, where big data will begin to inform our creative decision making processes. Misha Tenenbaum, CEO of EditStock.com explained how data will shape the way we teach editing in the future.
February 15, 2017, 04:49 AM
http://designingsound.org/2017/02/designing-sound-...
Following the success of the event last year, we’re hosting another one. So whether you’re attending GDC or happen to be in the area, come join us for an informal gathering of interactive audio aficionados ahead of the conference. DS contributing editor Richard Gould will be at the venue from shortly before 4:00pm to hand […]
February 15, 2017, 04:49 AM
http://www.redsharknews.com/business/item/4355-top...
Falling as it does a mere six weeks before NAB, the best reason to visit London's BVE remains the chance to bump into folk and network. It’s also though a seasoned show with plenty of time to catch up on technology that can be drowned out amid larger jamborees, and features a solid conference offering something for everyone. Here are RedShark’s Top Ten reasons to head out on the DLR to the ExCel later this month. BVEBVE 2017EditShareCloudcloud workflowesports
February 14, 2017, 08:25 PM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
Take a trip to Vlieland with Rotterdam-based design duo Jurjen Versteeg and Ashley Govers, otherwise known as From Form.This minimal yet surreal title sequence is an invitation to Into The Great Wide Open 2016, a music festival that takes place annually on Vlieland, a small island off the coast of The Netherlands. The sequence takes delight in the simple pleasures of the natural world: the passing of the seasons, the movement of the sun and moon, ripples in water, the spare tracks of a bird ...
February 14, 2017, 08:25 PM
https://americancinemaeditors.org/jump-cut-book-si...
For anyone interested in making the jump to Editor, the authors of Jump Cut: How To Jump Start Your Career
February 14, 2017, 08:24 PM
http://www.studiodaily.com/2017/02/oscar-nominated...
Rob Legato’s visual effects Oscar nomination for The Jungle Book is his fourth. He has received two Oscars — for supervising visual effects in Titanic and Hugo — six BAFTA nominations, and two BAFTA awards. The BAFTA awards bookend his … more » The post Oscar-Nominated VFX Supervisor Rob Legato on The Jungle Book appeared first on Studio Daily.
February 14, 2017, 08:24 PM
http://www.provideocoalition.com/art-of-the-cut-we...
Today’s Art of the Cut is with the editing team behind the critically acclaimed HBO series Westworld. Discussing their work on the series are editors Andrew Seklir, Tanya Swerling, Mark Yoshikawa and post production producer (and Westworld pilot editor), Stephen Semel. You can watch some free episodes here. HULLFISH: Why don’t you each tell me The post ART OF THE CUT with the editors of “Westworld” appeared first on ProVideo Coalition.
February 14, 2017, 08:24 PM
http://www.provideocoalition.com/vertical-video-vi...
Vertical Video Syndrome was something people laughed at when the first videos appeared in YouTube, but even YouTube had to bow to the power of portrait mode video. The future is – also – 9:16. When, in 2015, the app YouTube for Android allowed users to view portrait mode videos properly with their smartphones, it The post Vertical video: a video editing solution for smartphone users appeared first on ProVideo Coalition.
February 14, 2017, 06:39 PM
http://theangryvideoguy.com/index.php/2017/02/15/v...
Artjail performed quite a few shots on the Budweiser 2017 Superbowl spot, including background replacement / set extensions, 3D ship with water simulation, and a CG suture that I didn’t expect to be digital.
#vfx#visual effects#special effects#3d animation#vfx breakdown
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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