To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Fake Particles Using Vector Strokes in After Effec
February 13, 2017, 10:24 AM
http://lesterbanks.com/2017/02/ae-particles-vector...
After Effects has a couple partial generators out of the box, and even more turning to third party developers. You have plenty of great choices including Particular, Stardust, Plexus, Nodes and others. That doesn’t mean The Post Fake Particles Using Vector Strokes in After Effects originally appeared and published on %%BLOGLINK%,by lesterbanks
Juggling more than one project as an AE
February 13, 2017, 10:24 AM
http://renderplease.com/post/157196099820
More VES Awards for Rodeo FX for Game of Thrones
February 13, 2017, 10:24 AM
http://www.broadcastbeat.com/more-ves-awards-for-r...
Rodeo FX has added to its collection of VES Awards with three more for its visual effects work on Game of Thrones. The Montreal studio won the awards at the 15th VES Awards ceremony held last week in Los Angeles. The awards honored the studio’s work on Battle of the Bastards, the ninth and most memorable ...
HACKSAW RIDGE: VFX Supervisor Interview
February 13, 2017, 10:23 AM
http://www.artofvfx.com/hacksaw-ridge-chris-godfre...
Chris Godfrey has been working in visual effects for over 30 years. He co-founded Animal Logic with Zareh Nalbandian in 1991. He supervised the effects of many films such as BABE: PIG IN THE CITY, MOULIN ROUGE!, AUSTRALIA and THE GREAT GATSBY.
Curso de Edición de Cine Documental dictado por A
February 13, 2017, 07:20 AM
http://edaeditores.org/curso-de-edicion-de-cine-do...
CONFESIONES DE UNA MONTAJISTA Dictado por la editora Alejandra Almirón en Villa crespo los días sábados 11,18, 25 de Marzo y 1, 8 y 15 de Abril de 2017 en el horario de 10 a a 13 hs. Consta de 6 clases de 3 horas cada una. Metodología El curso consta de seis encuentros y […]
AI and Production: Overview
February 13, 2017, 07:20 AM
http://www.philiphodgetts.com/2017/02/ai-and-produ...
Over the last couple of years I’ve become more and more interested in the ways that the research being done into Artificial Intelligence (AI) might be applied to production and post production. In this article I’ll be giving an overview of what AI is at this stage of development, and what technologies are being used. […]
The Challenges of Editing Come and Get It
February 13, 2017, 07:20 AM
https://editstock.com/blogs/all/the-challenges-of-...
Guest article by EditStock customer Sofya Lifanova. Working on a project Come and Get It was a very challenging and exciting process. The film had no dialogue and the fighting sequence was one of the main highlights of the story, so I had to make sure the visuals deliver the story clearly. This is why reading the script and watching all the footage thoroughly before you start editing is essential. More
“The Art of Compositing”
February 13, 2017, 07:20 AM
http://lesterbanks.com/2017/02/the-art-of-composit...
A short project that I have created that explains what is VFX and especially Digital Compositing. This project was made to showcase my skills alongside my creativity, I was responsible for all of the 2D The Post “The Art of Compositing” originally appeared and published on %%BLOGLINK%,by lesterbanks
10 Essential Tips for Game Audio Freelancers
February 13, 2017, 07:19 AM
https://www.asoundeffect.com/10-essential-tips-gam...
Planning to go freelance in game audio – or perhaps you already work as a freelancer? Rebecca Parnell is a BAFTA Award winning Sound Designer who has worked in sound for 19 years on 50+ game titles, and has been working freelance for the past 10 years – and in this special guide, she shares her essential tips to a succesful freelance career in game audio.
The VFX Behind The Jungle Book
February 13, 2017, 07:19 AM
http://www.cgmeetup.net/home/vfx-behind-jungle-boo...
VFX Supervisor Adam Valdez from MPC and talked about his Oscar nominated work on the film The Jungle Book.
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