To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Selma Editor Talks toughest Cut

February 6, 2015, 10:41 AM

http://www.thecredits.org/2015/02/selma-editor-spe...

Troopers storm into a café. They’re looking for the old man, his daughter and his grandson that they’d been chasing after breaking up a night march in Selma. The old man, Cager Lee (played by the phenomenal Henry Sanders), his daughter Viola (Charity Jordan) and his grandson Jimmie Lee Jackson (Keith Stanfield) are trying to hide their faces behind menus at a table in the back.

The 10 Best Edited Films According To Editors Guil

February 6, 2015, 04:46 AM

http://www.cinemablend.com/new/10-Best-Edited-Film...

While it’s typically actors and directors who get to enjoy the greatest amount of praise through any year in cinema, certainly one of the greatest aspects of the award season is the opportunity to take a deep look at the below-the-line work that’s done to make the great films as great as they are. In this spectrum, editors play an incredibly vital role, as many filmmakers would tell you that it’s in the cutting room that a movie is truly uncovered for what it is.

The Silence of the Lambs - Who Wins the Scene?

February 6, 2015, 04:46 AM

https://www.aotg.com/the-silence-of-the-lambs-who-wins-the-scene/

In drama, two characters walk into a room. Each wants something from the other. The question of the scene is: who gets what they want? For educational purposes…

Straight Cuts with Mitch Jacobson

February 6, 2015, 04:45 AM

http://www.youtube.com/watch?v=qmjaQj_i7BA&feature...

Mitch Jacobson is a director & digital video editor with 30 years experience in broadcast television, live streaming and entertainment production. He is the owner of Category-5 Studios at...

Cut Notes 2.4 for iPad - share button profiles wit

February 5, 2015, 07:32 PM

http://www.digitalrebellion.com/blog/posts/cut_not...

Cut Notes 2.4 is a major update to our iPad note-taking app for video and audio professionals.Share button profilesOne of our top feature requests was the ability to share button configurations between multiple devices running Cut Notes. We've now made that really easy. 1. Go to the Settings menu and tap Export Buttons.2. A Compose Mail dialog will appear along with a .cnbuttons file as an attachment.3. Email the button profile to an account accessible on the other device.4. On the other de...

Examine Using Roles in FCP X

February 5, 2015, 03:35 PM

http://www.youtube.com/watch?v=aYN5USNRibA&feature...

Examine Using Roles in FCP X http://www.larryjordan.biz - Roles are a very powerful feature in Final Cut Pro X that allow you to control the organization, display or output of clips based upon their function. For example,... From: Larry Jordan Views: 0 0 ratings Time: 06:49 More in Film & Animation

How To Become an Assistant Film Editor

February 5, 2015, 11:14 AM

http://jonnyelwyn.co.uk/film-and-video-editing/how...

Trying to break into the film industry to make it as a film editor? Check out this round up of interview with Assistant Editors, 2nd Assitant Editors and Trainees

#film editing#post production#assistant editors#2nd assistant editors#trainee editors
The Mac Pro and Final Cut Pro X one year on. What

February 5, 2015, 09:50 AM

http://www.fcp.co/final-cut-pro/articles/1595-the-...

The Mac Pro and the 10.1 update to Final Cut Pro X are now over a year old. So using the same jobs as benchmarks, how far have we come with the combination?

Day 5 #28daysofquicktips - Move a Clip’s Connect

February 5, 2015, 09:50 AM

http://provideocoalition.com/ssimmons/story/day-5-...

One fundamental concept of Final Cut Pro X and its trackless timeline is Connected Clips. When editing clips outside of a Primary Storyline all clips must connect to something in the Primary Storyline and they move according to that parent clip. But you can, thankfully (and mercifully depending on your POV), move that connection point.

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