To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Do the Right Thing (1989)

January 20, 2015, 06:01 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“Who told you to step on my sneakers, who told you to walk on my side of the block, who told you to be in my neighborhood?” — Buggin' Out ...

A Meaning of Tragedy

January 20, 2015, 06:00 AM

http://www.creativeimpatience.com/a-meaning-of-tra...

Michael Bay’s “The Rock” is a movie that I hold very dear to my heart, perhaps his only movie that I have positive feelings for. My infatuation started with an amazing soundtrack by Nick Lennie-Smith, Harry Greyson-Williams and Hans Zimmer, and only grew with a few memorable scenes: the opening, the … see more →

Cracking the Code of the Antihero

January 20, 2015, 06:00 AM

http://lightsfilmschool.com/blog/cracking-the-code...

When we lived in the same city, my filmmaking friends and I met every other week to “break down” movies and television pilots. We shared dinner, cracked open a couple of beers, and screened that evening’s subject of study, noting its strengths and weaknesses for discussion.

Straight Cuts at EditFest NY 2011 with Editor Brad

January 19, 2015, 05:30 PM

http://www.youtube.com/watch?v=w1ugpTEMx2Y&feature...

Straight Cuts at EditFest NY 2011 with Editor Brad Fuller From: Manhattan Edit Workshop Views: 0 0 ratings Time: 00:36 More in Education

14 Tips for Faster Rendering in After Effects

January 19, 2015, 01:07 PM

http://www.premiumbeat.com/blog/14-tips-faster-ren...

Sick of waiting for you After Effects compositions to export? Speed up the entire process by considering these 14 tips. The post 14 Tips for Faster Rendering in After Effects appeared first on The Beat: A Blog by PremiumBeat.

Mondays (on a holiday!)

January 19, 2015, 01:07 PM

http://renderplease.com/post/108556491435

(At least there are less people at work!)

Storyboards for Se7en's Alternative Ending

January 19, 2015, 10:25 AM

http://imgur.com/gallery/coswQ/new

In the first page it is pretty much the same sequence that is in the film, with the exception of the increased hostility between Somerset and Mills that was toned down in the film.

Editing TV Cartoons Pt. 2

January 19, 2015, 10:23 AM

http://animationguildblog.blogspot.ca/2015/01/edit...

In this second installment of "Film Editing TV Cartoons", Robert Birchard describes Disney Television Animation's rapid growth and growing corporate structure...

3 Techniques Used in HER to Suspened of Disbelief

January 19, 2015, 10:22 AM

http://www.mentorless.com/2015/01/19/3-techniques-...

What cinematic tools did Spike Jonze use to achieve suspension of disbelief in HER, and make the love story between Theodore and Samantha believable.

Why Frame Rate Matters

January 19, 2015, 06:03 AM

http://gizmodo.com/why-frame-rate-matters-16751531...

We all know the motion picture is a lie. That movement on screen? It's just a bunch of still images. Still images that seem more like believable, realistic, lifelike motion the faster they flicker along. Faster is better, and that 48 frame-per-second version of The Hobbit was just the beginning.

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