It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 25, 2017, 07:21 AM
https://www.aotg.com/film-editor-john-gilroy-ace-on-using-sparse-cover/
John Gilroy, ACE, began his career working with Francis Ford Coppola's longtime editor Barry Malkin on "Peggy Sue Got Married" and MEWShop Artist in Residence Jeffrey Wolf, ACE on "Beautiful Girls" and "The Ref." His credits include the Academy Award winning "Michael Clayton"...
January 25, 2017, 07:21 AM
http://www.digitalproductionbuzz.com/2017/01/digit...
Join host Larry Jordan as he talks with Meline Tovmasian, Patrick Vest, Emma Dewing, Scott Page, and James DeRuvo. Choreographing Fight Scenes Highlights from NAMM 2017 Learning the Basics of Movement Teaching Dance and Choreography The Weekly DoddleNEWS Update View Show Transcript Listen to the Full Episode Check back after the show for the full audio! … The post Digital Production Buzz- January 26, 2017 appeared first on Digital Production BuZZ.
January 25, 2017, 07:21 AM
https://terencegallacher.wordpress.com/2017/01/25/...
In the second podcast of the series, Terry describes a typical day for him, editing the early evening and late news for GTV9, starting at 9am and ending at 11pm. The first newsreader Terry worked with was Tom Miller, and later Eric Pearce,in the early days the cameramen were Peter Hansford and Bill Beams and […]
January 25, 2017, 07:21 AM
http://designingsound.org/2017/01/using-vr-design-...
Finally! With the advent of somewhat affordable VR systems and the first titles making their way into the public’s hand, we are hearing something from the general populace and other non-audio developers that we sound professionals have always known: Sound matters! Since VR is an enclosed experience, in that the user is entirely enveloped […]
January 25, 2017, 07:20 AM
http://manhattaneditworkshop.blogspot.com/2017/01/...
Artist in Residence John Gilroy, ACE "Narc." For more information on Manhattan Edit Workshop's 6 Week Editing Intensive and Artist In Residence program please visit: www.mewshop.com/six_week_workshop/John Gilroy, ACE, began his career working with Francis Ford Coppola's longtime editor Barry Malkin on "Peggy Sue Got Married" and MEWShop Artist in Residence Jeffrey Wolf, ACE on "Beautiful Girls" and "The Ref." His credits include the Academy Award winning "Michael Clayton",...
January 25, 2017, 07:20 AM
http://www.cgmeetup.net/home/how-to-make-a-2d-anim...
In this Maya 2017 tutorial I show you how you can use Maya to create a 2d animation or cartoon. You will need Adobe Photoshop or other image editing software and Autodesk Maya.
January 24, 2017, 08:35 PM
http://www.btlnews.com/awards/view-la-la-land/
So the Oscar nomination process is on the one hand modernizing: the Academy realized they no longer have to gather everyone “live” at 5 in the morning, feeding all those press minions breakfast before they head back to their newspaper offices with printed handouts, to type up stories for afternoon editions. Instead, they could stream […] The post The View from La La Land appeared first on Below the Line.
January 24, 2017, 08:35 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK — Audio post company Sound Lounge (www.soundlounge.com) has introduced a new offering — Sound Lounge Everywhere — a remote audio post/sound mixing service. The mission behind Sound Lounge Everywhere is to provide clients with the comforts of a mixing studio and seamless remote connection to Sound Lounge artists, along with video and audio for realtime sessions.
January 24, 2017, 08:34 PM
http://www.redsharknews.com/vr_and_ar/item/4304-is...
If you were at CES this month, you’d have seen that, from headsets to plank style interfaces to let you fly inside a game, interest in virtual reality is exploding. And it’s not so much a case of if but when Apple decides to join in. By George Shaw. AppleVRARApple VRCupertino
January 24, 2017, 08:34 PM
http://www.studiodaily.com/2017/01/five-hot-takes-...
1) La La Land Leads the Pack It's been no secret that director Damien Chazelle's musical L.A. story La La Land is the favorite to win the Best Picture Oscar, but it was a little surprising to see just how … more » The post Five Hot Takes on the 2017 Oscar Nominations appeared first on Studio Daily.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.