It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 20, 2015, 02:31 PM
http://www.provideocoalition.com/after-effects-hid...
It’s common to re-use the same effects and settings throughout an Adobe After Effects project to create a consistent look - for example, when treating text or a logo. But all too often, clients change their minds during a project, forcing you to go back and change every instance of that identical text or logo treatment. Wouldn’t it be nice to edit only one example, and have those changes ripple through every identical usage of that treatment throughout your After Effects project?
April 20, 2015, 02:31 PM
http://www.edaeditores.org/charla-abierta-la-edici...
El sábado 9 de mayo se realizará una charla abierta como parte del ciclo de actividades gratuitas sobre el montaje organizadas por la Asociación. En esta ocasión, será una exposición sobre “La edición en el cine documental“, donde participarán como expositores Alejandra Almirón, Andrea Kleinman (SAE) (EDA) y Emiliano Serra. La moderación estará a cargo de Martina […]
April 20, 2015, 02:30 PM
http://www.storagereview.com/methods_of_smr_data_m...
SMR uses a mapping system for LBAs that want to get written randomly to only writing them sequentially. Similar to SSD’s Flash Translation Layer (FTL), SMR HDDs use what is sometimes called a SMR (or Shingle) Translation Layer (STL), which is a similar concept.
April 20, 2015, 11:23 AM
http://www.premiumbeat.com/blog/will-apples-fcpx-z...
Apple's latest patent - Z-Depth in FCPX - looks to introduce light field technology to the world of video editing.
April 20, 2015, 11:23 AM
http://www.screeneditors.com.au/workshop-in-myanma...
By Melanie Sandford ASE Last year was a long, hot and sticky one for me. In mid March I flew into Yangon, Myanmar. For those not up to date with the name changes, read Rangoon in Burma. It was around 30 degrees, the temperature climbing by the day up to 40. I’m familiar with the [...]
April 20, 2015, 11:21 AM
http://www.sportsvideo.org/nab2015/2015/04/nab-per...
It’s safe to say that Avid’s acquisition of Orad prior to NAB 2015 enhanced the way sports-content creators view the provider of sports-related broadcast technologies company. But it also was part of an Avid Everywhere strategy that rounded into shape at the show.
April 20, 2015, 08:18 AM
http://www.screeneditors.com.au/event-report-edito...
The ASE’s Editor on Editor Series 2015. March 19th. Deb Peart ASE with Matt Villa ASE. by James Sutton Every time I walk into the AFTRS theatre I always stare lovingly at the old brick wall that’s on the right as you walk down the long hallway to the entrance. It’s the only remaining piece [...]
April 20, 2015, 08:17 AM
http://postperspective.com/nab-2015-wrap-final-day...
By Will Rogers That was quite a week. Wednesday and Thursday at the NAB Show were much less hectically paced than Monday and Tuesday — no long lines for freshly squeezed product releases or swaths of spectators with tunnel vision. But don’t be fooled, every day of NAB is jam packed and fast paced, but the latter part of the week brought more of a wander-and-observe atmosphere. I forgot to set my alarm for the same time every day, so I got into Wednesday’s FCC keynote a little late. I...
April 20, 2015, 08:17 AM
http://news.doddleme.com/blogs/post-production/nab...
You are probably familiar with Adobe Anywhere and Avid Everywhere, which use the power of the Cloud to manage production and collaborate all over the world. But those two 800 pound gorillas aren’t the only services in the online collaboration game. Last week at NAB, both Frame.io and Wipster showed off their online collaboration and video review services to those in attendance.
April 20, 2015, 08:16 AM
https://www.aotg.com/fcpx-in-under-5-minutes-creating-mask-transitions/
Last week Apple released Final Cut Pro 10.2 with a host of useful mask and 3D title options. This week, Steve will show you how to create custom transitions ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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