It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 18, 2014, 11:01 AM
http://blogs.indiewire.com/thompsononhollywood/reg...
Like cinematography, editing stands out this awards season for the creative ingenuity of five frontrunners: the "continuous take" of "Birdman," the 12-year real-time odyssey of "Boyhood," the percussive intensity of "Whiplash," the parallel machinations of "Gone Girl" and the enigmatic humanism of "The Imitation Game."
December 18, 2014, 11:00 AM
http://www.avidblogs.com/avid-connect-2015-call-fo...
The article Avid Connect 2015: Calling All Experts and Artists—Share your Ideas by Keli Callaghan appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
December 18, 2014, 10:59 AM
http://renderplease.com/post/105531823815
December 18, 2014, 10:58 AM
http://sportsvideo.org/main/blog/2014/12/deluxe-ex...
Deluxe announced key capabilities and feature enhancements to its cloud-based content supply and video-on-demand (VOD) management solution, Deluxe OnDemand. These key features enable service providers to launch 4K ultra-high-definition (UHD) services immediately—and without additional infrastructure investment or workflow costs.
December 18, 2014, 10:58 AM
https://www.aotg.com/are-you-sitting-too-much/
Is sitting too much killing you? The Solution To Sitting...
December 18, 2014, 06:14 AM
http://businessinsider.tumblr.com/post/10535294392...
This Is Where Apple’s Money Comes From
December 18, 2014, 06:13 AM
http://www.studiodaily.com/2014/12/assimilate-upda...
Assimilate released Scratch and Scratch Lab v8.2, implementing new features including updates to the Scratch media browser, a Live View function for capturing footage and metadata from a camera's SDI output, a Mac implementation of Vanguard Video's H.274 codec, and … more » The post Assimilate Updates Scratch Tools with Improved Metadata Support appeared first on Studio Daily.
December 18, 2014, 06:12 AM
http://www.productionhub.com/blog/post/how-assimil...
On the heels of director’s Shawn Christensen’s Oscar winning short film, “Curfew” (2012), his highly acclaimed feature film “Before I Disappear” (2014) premiered on November 28. Jerome Thelia, colorist and post-production supervisor, is a member of the talented gene pool that brought both these films to fruition. In a recent interview, Jerome discussed his role on for “Before I Disappear.”
December 18, 2014, 06:08 AM
http://www.hdwarrior.co.uk/2014/12/18/a-new-sinist...
It’s called “Not followed to completion” a new game employers are playing to avoid payment and can I say at this point its not just the wee chancer its large organisations as well.
December 17, 2014, 05:32 PM
http://www.studiodaily.com/2014/12/stephen-mirrion...
An editor's best work is never meant to be noticed when watching a film. But imagine the ultimate hat trick: an imperceptibly edited film that appears not to be edited at all. The endless, meandering tracking shot and claustrophobic POV that drive much of Birdman, co-written, … more » The post Editors Stephen Mirrione and Doug Crise on Birdman’s Ultimate Disappearing Act appeared first on Studio Daily.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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