It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 10, 2017, 01:55 PM
http://lesterbanks.com/2017/01/breaks-c4d-sci-fi-i...
Marcin Jastrz?bski is a designer and photo-artist and works as a freelancer. Recently he put out a short breakdown showing his process for “Heist” a sci-fi interior scene. Marcin used Cinema R18 Prime, Octane render 3.04, The Post Marcin Jastrz?bski Breaks Down His C4D Sci-Fi Interior Scene originally appeared and published on %%BLOGLINK%,by lesterbanks
January 10, 2017, 01:55 PM
https://roosterpost.wordpress.com/2017/01/10/edito...
In celebration of Canada’s turning 150, TIFF has released their list of 150 Essential Works In Canadian Cinema History. We’re thrilled to congratulate Paul Jutras and director Jean-Marc Vallée on making the list. Their feature film collaboration, “C.R.A.Z.Y” made the list at #10. If you haven’t seen the film, C.R.A.Z.Y is about a gay youth growing up […]
January 10, 2017, 01:55 PM
https://greyscalegorilla.com/tutorials/speed-up-yo...
In this tutorial, Chad will break down the typical HDRI workflow in Arnold and demonstrate how much faster it can be with HDRI Link. Typically, testing out several different HDRI’s in your scene can be time-consuming and cumbersome. Basically a pain in the butt. HDRI Link sets out to solve that by making the process easy and dare we say fun? HDRI Link is available here for $69 and ships with 10 example HDRIs AND a free Bonus HDRI Expansion Pack with 20 HDRs.
January 10, 2017, 01:55 PM
http://www.goldderby.com/article/2017/2017-visual-...
No surprise that “The Jungle Book” did well with the Visual Effects Society Awards, reaping six bids for the 15th annual edition of these kudos. After all, it is the clear frontrunner for Best Visual Effects at the Oscars. Its closest rivals for the Academy Award — “Rogue One: A Star Wars Story” and “Doctor Strange” — picked up seven and six nominations respectively.
January 10, 2017, 01:55 PM
http://www.cinemablend.com/news/1610440/why-that-r...
If you have seen Rogue One: A Star Wars Story, then you already know that it features one of the most brutal endings of any movie in the entire Star Wars saga. Not only do Jyn Erso (Felicity Jones), Cassian Andor (Diego Luna), and the rest of our heroes perish while capturing the Death Star plans, but we also watch Darth Vader tear through a squad of Rebel soldiers while trying to get the plans back. Despite the fact that many have hailed it as a dark finale, Rogue One editor John Gilroy recentl...
January 10, 2017, 01:54 PM
http://www.awn.com/news/visual-effects-society-ann...
LOS ANGELES -- The Visual Effects Society, the industry’s professional global honorary society, has announced the nominees for the 15th Annual VES Awards, the prestigious yearly celebration that recognizes outstanding visual effects artistry and innovation in film, animation, television, commercials and video games and the VFX supervisors, VFX producers and hands-on artists who bring this work to life.
January 10, 2017, 11:16 AM
https://www.aotg.com/project-sharing-in-adobe-premiere-with-avid-nexis/
This first episode will show you how to integrate Adobe Premiere into a collaborative workflow with our shared storage solution and axle Starter asset management software. Together, these tools offer real-time collaboration to help you and your team work together better and faster.
January 10, 2017, 11:15 AM
http://lesterbanks.com/2017/01/bridge-2d-animation...
Both 3D and 2D animation have their strengths. 3D offers a more solid sense of space and grounded environments. 2D Animation has the capacity to be much more expressive, free-flowing and organic. Bridging the two The Post How To Bridge 2D Animation With 3D Using Flash originally appeared and published on %%BLOGLINK%,by lesterbanks
January 10, 2017, 11:15 AM
http://www.studiodaily.com/2017/01/game-of-thrones...
The Visual Effects Society lavished attention on Game of Thrones — possibly the most acclaimed (and expensive) VFX-heavy TV program in history — by putting the HBO show in the running for a total of 11 nominations in the 15th Annual VES … more » The post Game of Thrones, Rogue One Lead VES Awards Nominations appeared first on Studio Daily.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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