It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 12, 2018, 09:51 AM
https://lesterbanks.com/2018/07/easily-align-faces...
Athanasios Pozantzis Shows How to Align Faces to Other Faces in C4D Using Snapping and Extended Axis Handles. No matter where you choose to create your models, eventually you will need a host of tools
July 12, 2018, 09:50 AM
https://fxfactory.com/blog/effects-2/dynamic-trans...
Combine multiple animations and effects to build complex transitions with ease.
July 12, 2018, 07:26 AM
https://www.aotg.com/blackmagic-design-announces-blackmagic-egpu-2/
Blackmagic Design today announced the Blackmagic eGPU, a high performance graphics processor for pro creative software such as DaVinci Resolve, 3D games and VR. Designed in collaboration with Apple, the Blackmagic eGPU features a built-in Radeon Pro 580, two Thunderbolt 3 ports, HDMI 2.0, 85W of charging power and four USB 3.1 connections.
#blackmagic design#davinci resolve#apple#blackmagic egpuJuly 12, 2018, 04:29 AM
http://www.studiodaily.com/2018/07/review-tascam-d...
I have been a big fan of TASCAM digital recorders for some time. I’ve reviewed a few over the years: the DR-100, the DR-40 and now the DR-44WL. I’ve used the DR-40 for a number of jobs over the years — everything from lectures to radio commercials. I found it super-useful, but sometimes when I’m […] The post Review: TASCAM DR-44WL Digital Recorder appeared first on Studio Daily.
July 12, 2018, 04:28 AM
https://www.redsharknews.com/production/item/5622-...
First cameras started proudly wearing their ‘Approved by Netflix’ badges and then the streaming giant turned its attention to domestic television sets. The latest thing we have seen now is a list of hardware and software that the company specifies for colour grading in Dolby Vision, the format it uses for mastering, packaging and delivery of all its Netflix Originals.
July 11, 2018, 12:26 PM
https://postperspective.com/disfiguring-man-black-...
If you watch HBO’s Westworld, you are familiar with the once-good guy turned bad guy The Man in Black. He is ruthless and easy to hate, so when Karma caught up to him audiences were not too upset about it. Westworld doesn’t shy away from violence. In fact, it has a major role in the series. Continue reading → July 11, 2018 The post Disfiguring The Man in Black for HBO’s Westworld appeared first on Randi Altman's postPerspective.
July 11, 2018, 12:26 PM
https://lesterbanks.com/2018/07/maya-edit-edge-flo...
Malcolm Andrieshyn Shows How to Get the Best Results for Maya’s Edit Edge Flow Tool When Modeling. Autodesk Maya’s Edit Edge flow tool on first glance might seem a little like magic, but working with
July 11, 2018, 12:26 PM
http://www.animationmagazine.net/vfx/working-for-s...
Fans of Ant-Man’s amazing miniature world are in for many more elaborate visual effects in the fantastic sequel Ant-Man and The Wasp, in theaters now. This time around, the Quantum Realm and The Wasp take the lion’s share of the creative team’s work.
July 11, 2018, 09:18 AM
https://lesterbanks.com/2018/07/best-uv-unwrap-cur...
Athanasios Pozantzis Shows How to Handle a UV Unwrap for Curved Parts in Models Using Cinema 4D. UV Unwrapping 3D objects can be straightforward when you think of the process as a projecting to get
July 11, 2018, 09:17 AM
https://lesterbanks.com/2018/07/tentacle-rig-ae-be...
Duncan Rudd Shows How he Created a Tentacle Rig Using a Bezier Path for Animation. Creating a tentacle rig for 2D elements in After Effects? A few solutions may come immediately to mind. You could
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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