To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Color for TV Series: A variety of workflows and st

June 25, 2018, 12:16 PM

http://postperspective.com/color-tv-series-variety...

By Karen Maierhofer Several years ago I was lucky enough to see Van Gogh’s The Starry Night oil on canvas at the museum and was awestruck by how rich and vibrant it really was, having had fallen in love with the painting years before after seeing reproductions/reprints, which paled in comparison to the original’s striking colors and beauty. Continue reading → June 25, 2018 The post Color for TV Series: A variety of workflows and styles appeared first on Randi Altman's postPerspective.

Resolve: OpenCL Vs. Metal

June 25, 2018, 12:15 PM

http://barefeats.com/opencl_v_metal_resolve.html

So when you are doing GPU centric functions in DaVinci Resolve (such as Noise Reduction), should you choose OpenCL or Metal for GPU Processing Mode?

Envato Elements Completes a Subscription Model

June 25, 2018, 12:15 PM

https://www.provideocoalition.com/envato-elements-...

The proliferation of creative marketplaces has changed everything. Whether we’re talking about the way in which audiences consume content or when and how they expect that content to be available, this change is the reason why terms like “Netflix for sports” and “Netflix for apparel” have become more popular. Understandably, this desire to easily access and utilize a variety of assets has also permeated the creative professional space, and it’s why a company that has already been dubb...

Get Your Bearings in the UV Editor by Showing UV E

June 25, 2018, 09:21 AM

https://lesterbanks.com/2018/06/maya-uv-editor-uv-...

Malcolm Andrieshyn Shares Some Tips for Working With Maya UV Edge Color, Contiguous Selections and More. Continuing with his grab-bag of tips for Maya users, Malcolm Andrieshyn covers using the Grow and Shrink Selection hotkeys,

Kyno Updated to 1.5 and Premium Version Now Availa

June 25, 2018, 05:40 AM

http://www.fcp.co/final-cut-pro/articles/2093-kyno...

Lesspain Software has updated their ingest and media managing tool Kyno to 1.5 and it includes new features for FCPX users. There's also a new premium version available for more complex workflows.

Pro Tools IO Settings to Speed Up Your Workflow

June 25, 2018, 05:40 AM

https://www.pro-tools-expert.com/home-page/2018/6/...

Part 1 of this free tutorial demonstrated how to use Aggregate IO and IO Settings to optimize your system when jumping from tracking to overdubs then mixing. In part 2 you'll learn how to build sub and stem buses into your IO setup to set up existing sessions for mixing inside the box.

Unlimited Downloads with our new Unlimited Library

June 23, 2018, 02:08 PM

https://motionarray.com/blog/get-unlimited-downloa...

Guess what! Motion Array has gotten even better! You can now get unlimited downloads using the NEW Unlimited Library! Learn how you can take advantage of this awesome new feature!

#motion graphics#after effects templates#motion array#stock video#stock music#mogrt#premiere pro templates#stock resources#video creation
Shift Layers or In/Out Points With Ae’s Shift In

June 23, 2018, 09:39 AM

https://lesterbanks.com/2018/06/shift-layers-inout...

Lars Jandel’s Script for After Effects Lets You Shift Layers, In/Out Points Easily. Shift in Time is a new After Effects script by Lars Jandel that sets its sights on a better solution for managing

LACPUG's 18th Anniversary Meeting Features Randy

June 22, 2018, 01:44 PM

http://www.fcp.co/final-cut-pro/articles/2092-lacp...

If you are anywhere near Los Angeles next week, then you must attend the 18th anniversary of the LACPUG. FCP & Premiere creator Randy Ubillos and original FCP team member Tim Serda will be interviewed by Michael Horton. Bradley Olsen will present the debut of 'Off the Tracks' the crowdfunded documentary about FCPX. There's a coupon code as well!

Week in Premiere 6/22/18

June 22, 2018, 12:31 PM

http://www.premierebro.com/weekinpr/week-in-premie...

PREMIERE PRO WEEK IN REVIEW: Project Rush Sneak Peek (Exclusive Insights from Live Demo) • Is Project Rush Adobe's FCP X? What Do the Pros Say? • New Instagram TV (IGTV) Tutorials • 3 Hollywood Super Hero Effects in Premiere Pro

#adobe#premiere pro#adobe premiere#project rush#igtv

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