It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 28, 2014, 09:56 AM
http://www.pastemagazine.com/articles/2014/10/the-...
The terrible monster costume has, oddly enough, been a fixture of worldwide cinema for roughly the exact same amount of time as the terrible monster movie. And that’s wonderful, because there are few things that make for a more enjoyable cheesy monster movie experience than a guy in an ill-fitting, badly designed, clunkily assembled suit of hard rubber. They recall a more innocent time, when audience expectations were not nearly so high. We don’t get to see costumes like these any more—the...
October 28, 2014, 09:52 AM
http://www.tvtechnology.com/article/creating-diffe...
Editors rejoice. Every year the Creative Arts Awards given out by the Academy of Television Arts and Sciences heralds the greatest achievement in our craft. When the 2014 ceremony awarded the Emmy for “Outstanding Single-Camera Picture Editing For A Miniseries Or A Movie,” it was not only a great triumph for winner Yan Miles; it was also the fulfillment of a promise for me.
October 28, 2014, 04:44 AM
http://www.hollywoodreporter.com/news/egypt-court-...
Sanaa Seif, a young Egyptian political activist who served as an editor on the Oscar-nominated documentary The Square, has been sentenced to three years in prison for protesting, a court in Cairo has ruled.
October 28, 2014, 04:42 AM
http://www.edaeditores.org/entrevista-juan-carlos-...
EDA: ¿Cómo nace tu relación con el cine? El montaje, la realización… J.C. Maneglia: La verdad es que yo soy un enamorado del cine desde que tengo uso de razón. Tenía 5 años cuando mi papá vino a la Argentina, compró un proyector Cinegraf, era un proyector así medio de lata que proyectaba como un […]
October 28, 2014, 04:40 AM
http://www.content-technology.com/asiapacificnews/...
The Australian population of 23 million is small relative to landmass. With so few viewers to attract, competition for viewership is fierce among the five free-to-air broadcasters that serve the island nation. Among these terrestrial broadcasters, Nine Network was the first to hit the air. Based in Sydney, it has a rich history stretching back to 1956.
October 27, 2014, 09:39 AM
http://www.aotg.com/download_files/hitfilm.pdf
Norwich, 27 October 2014 – FXHOME has announced that the latest version of its cutting-edge video editing and visual effects software, HitFilm 3 Pro, is now available for pre-order from hitfilm.com for just $299 (£229), ahead of its release on 24th November 2014.
#editor#film editing#hitfilmOctober 27, 2014, 04:43 AM
http://blogs.adobe.com/richardcurtis/?p=3761
Hollywood blockbuster Gone Girl was edited entirely in Adobe Premiere Pro CC. The workflow used by David Fincher and his post-production team offers insights into the evolution of filmmaking today. Working interactively, with editorial and visual effects tightly linked, the team was able to shape the 6K source footage into a cinematic masterpiece. Hear how they did it. Watch the behind the scenes interveiew here LEARN MORE about the Adobe Creative Cloud pro video tools: http://a...
October 27, 2014, 04:42 AM
https://www.aotg.com/behind-the-scenes-on-gone-girl-2/
Hollywood blockbuster Gone Girl was edited entirely in Adobe Premiere Pro CC. The workflow used by David Fincher and his post-production team offers insights...
October 26, 2014, 12:30 PM
http://bosfcpug.org/attend-new-york-postproduction...
Join BOSCPUG & Future Media Concepts at the New York Post|Production Conference November 12-13 via a special 20% BOSCPUG discount. Professional post|production training in the city!
October 26, 2014, 12:23 PM
http://www.engadget.com/2014/10/26/12-moments-in-t...
At some point in the day, we all smash our fingers against some form of keyboard -- whether it's of the physical or virtual variety. In this week's Rewind, we take a look at how the keyboard's grown beyond its humble typewriter beginnings and taken on a life of its own.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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