It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 11, 2019, 09:17 AM
https://www.artofvfx.com/men-in-black-internationa...
In 2018, Alessandro Ongaro told us about the work of DNEG on ANT-MAN AND THE WASP. He explains today his work on MEN IN BLACK: INTERNATIONAL.
July 8, 2019, 06:34 AM
https://www.animationmagazine.net/vfx/the-vfx-evol...
Dark Phoenix is clearly the end of an era. The final X-Men movie to be conceived and made at Fox prior to its absorption into the folds of Disney and Marvel Studios, director Simon Kinberg set out to make more of a character-driven film while taking a second stab at adapting the most-acclaimed X-Men comic-book story of all time.
July 5, 2019, 06:27 AM
https://beforesandafters.com/2019/07/04/i-want-to-...
Forrest Gump – which is celebrating its 25th anniversary this week – is full of memorable invisible effects by ILM. Who can forget the opening feather ‘oner’, the times Gump meets different US Presidents, and the jaw-dropping moments where Lieutenant Dan is seen with no legs.
July 4, 2019, 10:34 AM
https://www.artofvfx.com/chernobyl-max-dennison-vf...
Max Dennison has nearly 25 years of experience in visual effects. He has worked in many studios such as Weta Digital, ILM, Cinesite, Framestore and joined DNEG in 2013. He has worked on many films such as the LORD OF THE RINGS trilogy, THE GOLDEN COMPASS, OUTLANDER and KRYPTON.
July 4, 2019, 06:27 AM
https://www.studiodaily.com/2019/07/senior-vfx-sup...
Oscar- and BAFTA-nominated senior VFX supervisor Chas Jarrett, best-known recently for his work as production VFX supervisor on Disney’s Aladdin, has joined Dneg, the company said. “I’m delighted to welcome Chas to Dneg,” said CEO Namit Malhotra in a prepared statement. “He is an outstanding creative leader with a passion for storytelling, a talent for developing […] The post Senior VFX Supe Chas Jarrett Joins Dneg appeared first on Studio Daily.
July 4, 2019, 02:27 AM
https://jonnyelwyn.co.uk/film-video-editing-tools-...
Check out these time-saving plugins that will give you far better results than you might be able to make on your own in After Effects! - Inside Red Giant's new VFX Suite plugins - Universe 3.0, Nodes 3 and Orb plugins - The Best After Effects Presentations from NAB 2019
#after effects#plugins#red giant#nodes 3#orbJuly 2, 2019, 09:15 AM
https://www.artofvfx.com/game-of-thrones-season-8-...
In the past year, Mohsen Mousavi explained the work of Scanline VFX on THE MEG. He is back today to tell us about his work on the final season of GAME OF THRONES.
July 2, 2019, 06:11 AM
https://www.artofvfx.com/nifff-extended-2019-the-v...
In just one week, NIFFF Extended will purpose the a new serie of great conferences about games, transmedia and VFX.
June 27, 2019, 06:30 AM
https://www.mpaa.org/2019/06/how-a-global-vfx-effo...
From Sony Pictures Imageworks headquarters in Culver City, California, visual effects supervisor Dan Kramer helped coordinate a worldwide array of CGI artists to produce some 2000 VFX shots for the aptly named Men In Black: International.
June 27, 2019, 06:28 AM
https://cinefex.com/blog/deaddontdie/
Zombies come in many flavors. For many horror devotees, George A. Romero defined the genre with his Pittsburgh-made 1968 Night of the Living Dead. The black and white, 16mm shocker depicted shuffling corpses with a hunger for flesh ostensibly triggered, per a half-glimpsed TV news report, by a crashed Venusian probe...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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