It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 19, 2019, 12:28 PM
https://www.artofvfx.com/godzilla-king-of-the-mons...
Daryl Sawchuk started his career in visual effects in 2006 at MPC and works on many films like 10,000 BC, SUCKER PUNCH, MAN OF STEEL and GODZILLA. In 2016, he joined Method Studios and worked on DOCTOR STRANGE, JUSTICE LEAGUE and BLACK PANTHER.
June 18, 2019, 12:56 PM
https://www.artofvfx.com/godzilla-king-of-the-mons...
In 2017, Guillaume Rocheron explained his work on GHOST IN THE SHELL. Today he tells us about his reunion with Godzilla for GODZILLA: KING OF THE MONSTERS.
June 10, 2019, 09:19 AM
https://www.artofvfx.com/shazam-francis-puthananga...
Francis Puthanangadi began his career in visual effects in 1998 and joined Digital Domain in 2006. He has worked on many films such as TRON: LEGACY, IRON MAN 3, AVENGERS: INFINITY WAR and AQUAMAN.
June 6, 2019, 12:09 PM
https://www.artofvfx.com/the-silence-matt-glover-v...
Matt Glover began his career in visual effects in 2007 at Mr. X. He has worked on many films such as DEATH RACE, SCOTT PILGRIM VS. THE WORLD, TRON: LEGACY, ROBOCOP and THE STRAIN.
June 4, 2019, 06:44 AM
https://www.artofvfx.com/avengers-endgame-russell-...
Last year Russell Earl explained to us the work of Industrial Light & Magic on AVENGERS: INFINITY WAR. He is back today with Dan Snape (VFX Supervisor), Kevin Martel (Animation Supervisor) and Abs Jahromi (Facial Technology Supervisor) to talk about AVENGERS: ENDGAME.
May 31, 2019, 05:59 AM
https://www.awn.com/vfxworld/ilm-tackles-bruce-ban...
The studio revisits and revamps Hulk, Marvel’s smash-‘em-up, fan-favorite digital character they first brought to the screen back in 2003.
May 28, 2019, 03:07 PM
https://www.cartoonbrew.com/brewtv/what-is-a-vfx-s...
A great visual effects supervisor is essential for any animated or vfx-driven live-action film, but what does a supe actually do during a film’s production? It might surprise some to learn that the role of a vfx supervisor isn’t purely technical. “A lot of it is just communication,” says Mike Ford, the vfx supervisor of Hotel Transylvania 3. “It’s getting people to talk to one another.”
May 16, 2019, 10:25 AM
https://www.artofvfx.com/avengers-endgame-stuart-p...
In 2017, Stuart Penn explained to us the work of Framestore on ALIEN: COVENANT. He then took care of the effects of the films KINGSMAN: THE GOLDEN CIRCLE and PADDINGTON 2.
May 6, 2019, 10:01 AM
https://www.artofvfx.com/a-dogs-way-home-matt-welf...
Matt Welford began his career in the visual effects in 1999 at Mill Film as digital compositor. He then worked in many studios such as Weta Digital, MPC, Sony Pictures Imageworks before joining Pixomondo in 2017. As a VFX Supervisor, he took care of the effects of many movies like THE CHRONICLES OF NARNIA: THE VOYAGE OF DAWN TREADER, GREEN LANTERN and AMERICAN SNIPER.
May 1, 2019, 09:46 AM
https://www.artofvfx.com/missing-link-steve-emerso...
In 2016, Steve Emerson explained Laika‘s work on KUBO AND THE TWO STRINGS. He talks to us today about MISSING LINK.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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