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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Love, Death, and Robots VFX Supervisor

April 1, 2019, 10:49 AM

https://www.artofvfx.com/love-death-robots-tim-mil...

In 2016, Tim Miller explained his work and that of Blur Studio on DEADPOOL. He is back today to talk about LOVE, DEATH & ROBOTS.

Debbie Berman on her Fav. Captain Marvel Scenes

April 1, 2019, 10:49 AM

https://www.mpaa.org/2019/04/captain-marvels-co-ed...

In order to defeat the all-powerful Thanos, the Avengers will have to reach back in time. That doesn’t mean using the Time Stone to rewind back to before the snap, although we won’t rule that out. I’m referring to our recent trip to 90s era MCU to meet the newest and most potent Avenger.

Captain Marvel's VFX Supervisor Interview

March 26, 2019, 11:59 AM

https://www.artofvfx.com/captain-marvel-dominik-zi...

In 2017, Dominik Zimmerle explained the work of Trixter on SPIDER-MAN: HOMECOMING. He then worked on LOST IN SPACE before returning to the MCU with CAPTAIN MARVEL.

Iron Sky 2 - VFX Breakdown

March 26, 2019, 09:07 AM

https://www.artofvfx.com/iron-sky-2-the-coming-rac...

Pixomondo presents their VFX and Previz work on IRON SKY 2 – THE COMING RACE...

Captain Marvel VFX Supervisor Interview

March 19, 2019, 12:26 PM

https://www.artofvfx.com/captain-marvel-christophe...

In 2017, Christopher Townsend explained his work on GUARDIANS OF THE GALAXY VOL.2. He talks to us today about his fifth film in the Marvel Cinematic Universe, CAPTAIN MARVEL.

How to set your VFX Goals

March 12, 2019, 07:02 AM

https://www.allanmckay.com/how-to-set-your-goals/

​So, have you started your New Year’s resolutions yet? I think we all have mixed feelings about this topic, since most of us are convinced New Year’s resolutions don't work -- and statistically, they don't. In fact 80% of New ​Year's resolutions fail by February. So whether it's December 31st or August 18th, the driver for change isn't the date -- it's the pain point you reach that makes you WANT to make change.

The Favourite: Ed Bruce VFX Supervisor

March 5, 2019, 10:24 AM

https://www.artofvfx.com/the-favourite-ed-bruce-vf...

In 2011, Ed Bruce explained the work of SSVFX on the first season of GAME OF THRONES. He then worked on many movies and TV series such as THE FRANKENSTEIN CHRONICLES, INDEPENDENCE DAY: RESURGENCE, BLACK SAILS and LOST IN SPACE.

Velvet Buzzsaw VFX Supervisor Interview

February 22, 2019, 10:29 AM

https://www.artofvfx.com/velvet-buzzsaw-aidan-fras...

Aidan Fraser began his career in the visual effects in the early 2000s. He worked in many studios like Industrial Light & Magic, Weta Digital, Laika and joined Atomic Fiction (now Method Studios) in 2013. He worked on many movies such as KING KONG, IRON MAN 2, THE WALK and STAR TREK BEYOND.

Johnny English Strikes Again VFX Supervisor Interv

February 18, 2019, 10:44 AM

https://www.artofvfx.com/johnny-english-strikes-ag...

In 2015, Angela Barson told us about BlueBlot‘s work on THE MAN FROM U.N.C.L.E.. She then worked on films such as SPECTRE, NOW YOU SEE ME 2, WAR MACHINE and ENTEBBE.

Oscar-Nominated VFX Artists Wowed Audiences

February 14, 2019, 06:22 PM

https://variety.com/2019/artisans/awards/avengers-...

Today’s visual effects are so high-tech that it seems quaint that Oscar nominees are chosen through a process called the Bake-Off. This live event, staged at the Academy’s Beverly Hills theater, is as far from a cooking contest as you can get. The craftspeople behind 10 shortlisted films take the stage to demonstrate, until a timer with a light flashes, how they achieved their effects.

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