It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 18, 2019, 10:00 AM
https://www.artofvfx.com/spider-man-far-from-home-...
Julian Foddy began his visual effects career in 2006 at DNEG. He works on films like GREEN ZONE, PAUL, FURIOUS 6 and HERCULES. He joined the ILM teams in 2015 and took care of the effects of films such as TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS, TRANSFORMERS: THE LAST KNIGHT, READY PLAYER ONE and SOLO: A STAR WARS STORY.
July 17, 2019, 09:56 AM
https://www.artofvfx.com/spider-man-far-from-home-...
Last year, Kevin Souls and Raphael A. Pimentel explained the work of Luma Pictures on ANT-MAN AND THE WASP. They then worked on THE NUTCRACKER AND THE FOUR REALMS, MARY POPPINS RETURNS, CAPTAIN MARVEL and ONCE UPON AT TIME IN HOLLYWOOD. Raphael A. Pimentel also worked on PEPPERMINT and AQUAMAN.
July 17, 2019, 06:45 AM
https://beforesandafters.com/2019/07/17/before-you...
In the 1990s, traditional 2D animation was in a major state of transition. Digital technologies were allowing animation studios, including Walt Disney Feature Animation, to do things in very different ways. Partly, that came about via Disney’s adoption of the Computer Animation and Production System (CAPS) that had been developed in conjunction with Pixar to aid in digital ink and paint, compositing, and production and library management. By the time The Lion King was released in 1994, CAPS ha...
July 16, 2019, 06:13 AM
https://www.artofvfx.com/the-dead-dont-die-alex-ha...
Before blasting zombie heads for Jim Jarmush for THE DEAD DON’T DIE, Alex Hansson took care of the visual effects of movies such as CHAPPAQUIDDICK, BORG MCENROE and MONKY. He is the founder of the studio Haymaker.
July 11, 2019, 01:04 PM
https://jonnyelwyn.co.uk/film-and-video-editing/th...
The Making of a Classic - Editing HEAT Revisit a legendary film in this round up of resources and insights on the making and editing of Michael Mann's Heat. Well worth picking up on blu-ray and enjoying once again!
#editing#heat#michael mannJuly 11, 2019, 09:17 AM
https://www.artofvfx.com/men-in-black-internationa...
In 2018, Alessandro Ongaro told us about the work of DNEG on ANT-MAN AND THE WASP. He explains today his work on MEN IN BLACK: INTERNATIONAL.
July 8, 2019, 06:34 AM
https://www.asoundeffect.com/podcasts-sound-design...
We have some interesting new podcasts to share with you for those long summer drives, cool morning runs, or everyday commutes.
July 8, 2019, 06:34 AM
https://www.animationmagazine.net/vfx/the-vfx-evol...
Dark Phoenix is clearly the end of an era. The final X-Men movie to be conceived and made at Fox prior to its absorption into the folds of Disney and Marvel Studios, director Simon Kinberg set out to make more of a character-driven film while taking a second stab at adapting the most-acclaimed X-Men comic-book story of all time.
July 5, 2019, 06:27 AM
https://beforesandafters.com/2019/07/04/i-want-to-...
Forrest Gump – which is celebrating its 25th anniversary this week – is full of memorable invisible effects by ILM. Who can forget the opening feather ‘oner’, the times Gump meets different US Presidents, and the jaw-dropping moments where Lieutenant Dan is seen with no legs.
July 4, 2019, 10:34 AM
https://www.artofvfx.com/chernobyl-max-dennison-vf...
Max Dennison has nearly 25 years of experience in visual effects. He has worked in many studios such as Weta Digital, ILM, Cinesite, Framestore and joined DNEG in 2013. He has worked on many films such as the LORD OF THE RINGS trilogy, THE GOLDEN COMPASS, OUTLANDER and KRYPTON.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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