It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 26, 2019, 12:44 PM
https://www.uaudio.com/blog/surround-sound-basics-...
When talking about sound source placement in the recording and mixing of immersive audio using traditional headphones, 5.1, 7.1 or 9.1, I feel the first rule that applies is, there are no rules.
June 24, 2019, 09:53 AM
https://www.artofvfx.com/godzilla-king-of-the-mons...
Spencer Cook has more than 28 years of experience in the field of animation. He has worked in many studios such as Digital Domain, Sony Pictures Imageworks, Framestore and MPC. He has worked on films like THE MATRIX RELOADED, THE MATRIX REVOLUTIONS, MEN IN BLACK 3 and BEAUTY AND THE BEAST.
June 20, 2019, 01:41 PM
https://deadline.com/2019/06/homecoming-editor-ros...
One of three editors on Sam Esmail’s Homecoming, Rosanne Tan was asked to tap into the visual and sonic style of “paranoid thriller movies [from] the past,” working within a broad conceptual framework set by Esmail, while trying to surprise him with the choices she made.
June 20, 2019, 03:42 AM
https://jonnyelwyn.co.uk/film-and-video-editing/ho...
Learn the techniques, structure, pacing, art and business of film trailer editing from top professional editors, plus pick up 45 minutes of excellent free training and enjoy some fun trailer breakdowns.
#film editing#trailers#movie trailers#trailer breakdownsJune 19, 2019, 12:28 PM
https://www.artofvfx.com/godzilla-king-of-the-mons...
Daryl Sawchuk started his career in visual effects in 2006 at MPC and works on many films like 10,000 BC, SUCKER PUNCH, MAN OF STEEL and GODZILLA. In 2016, he joined Method Studios and worked on DOCTOR STRANGE, JUSTICE LEAGUE and BLACK PANTHER.
June 18, 2019, 12:56 PM
https://www.artofvfx.com/godzilla-king-of-the-mons...
In 2017, Guillaume Rocheron explained his work on GHOST IN THE SHELL. Today he tells us about his reunion with Godzilla for GODZILLA: KING OF THE MONSTERS.
June 16, 2019, 11:14 AM
https://www.syfy.com/syfywire/x-men-film-editor-re...
With Dark Phoenix facing a quick fade at the box office and Fox's long-running X-Men franchise finally shutting down, more info about paths that the series never took is coming to light.
June 15, 2019, 05:56 AM
https://jonnyelwyn.co.uk/film-and-video-editing/72...
If you're new to FCPX or just trying to figure out a particularly thorny issue then this round up of 72 helpful tips (from the hundreds) dispensed by Mark Spencer and Steve Martin on Ripple LIVE might well provide the solution you need.
#editing#fcpx#final cut pro#training#free tipsJune 12, 2019, 09:10 AM
https://filmschoolrejects.com/when-is-an-animated-...
What is an animated film? Type that question into Google, and the first response you’ll see comes from FilmSite: “Animated Films are ones in which individual drawings, paintings, or illustrations are photographed frame by frame (stop-frame cinematography). Usually, each frame differs slightly from the one preceding it, giving the illusion of movement when frames are projected in rapid succession at 24 frames per second."
June 10, 2019, 09:19 AM
https://www.artofvfx.com/shazam-francis-puthananga...
Francis Puthanangadi began his career in visual effects in 1998 and joined Digital Domain in 2006. He has worked on many films such as TRON: LEGACY, IRON MAN 3, AVENGERS: INFINITY WAR and AQUAMAN.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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