It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 6, 2019, 01:21 PM
https://www.asoundeffect.com/chernobyl-hbo-sound/
The sound in HBO's 'Chernobyl' - and the interplay between sound design and score - is outstanding, and it's a great pleasure to give you the story behind it in this exclusive A Sound Effect interview. Here, supervising sound editor Stefan Henrix and sound designer Joe Beal share how they made its eerily haunting soundscape, and the lengths they went to capture and design an authentic sound for the series:
#sound#sound design#sound effects#chernobyl#chernobyl sound designJune 6, 2019, 12:09 PM
https://www.artofvfx.com/the-silence-matt-glover-v...
Matt Glover began his career in visual effects in 2007 at Mr. X. He has worked on many films such as DEATH RACE, SCOTT PILGRIM VS. THE WORLD, TRON: LEGACY, ROBOCOP and THE STRAIN.
June 6, 2019, 08:34 AM
https://www.hollywoodreporter.com/behind-screen/ca...
Composers Harry Gregson-Williams and Rupert Gregson-Williams are featured in a new episode of The Hollywood Reporter's Behind the Screen podcast series.
June 4, 2019, 06:45 AM
https://www.premiumbeat.com/blog/interview-film-co...
We sat down with international composer Herdís Stefánsdóttir for some insight into her influences, working process, and creative world.
June 4, 2019, 06:44 AM
https://www.artofvfx.com/avengers-endgame-russell-...
Last year Russell Earl explained to us the work of Industrial Light & Magic on AVENGERS: INFINITY WAR. He is back today with Dan Snape (VFX Supervisor), Kevin Martel (Animation Supervisor) and Abs Jahromi (Facial Technology Supervisor) to talk about AVENGERS: ENDGAME.
June 3, 2019, 12:25 PM
https://directedbychuckjones.tumblr.com/post/18534...
The official Tumblr of Chuck Jones, the four-time Academy Award recipient and legendary animated film director and creator.
June 1, 2019, 10:14 AM
https://randythomblog.wordpress.com/2019/06/01/the...
Creating the sound of flab in motion is a challenge we in sound design encounter fairly often, most frequently in animation. We see an obese character move.
May 31, 2019, 05:59 AM
https://www.awn.com/vfxworld/ilm-tackles-bruce-ban...
The studio revisits and revamps Hulk, Marvel’s smash-‘em-up, fan-favorite digital character they first brought to the screen back in 2003.
May 30, 2019, 12:56 PM
https://variety.com/2019/artisans/awards/creative-...
When editors take us into a story, they also choose which character will tell us the tale. Characters who’ve been victims of trauma, those who face mental-health issues and have to navigate surreal experiences still have to be engaging for the audience. It’s a difficult line to walk.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.