It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 8, 2019, 06:12 AM
https://www.asoundeffect.com/avengers-endgame-soun...
Supervising sound editor Shannon Mills has worked on a number of Marvel movies, and in this exclusive A Sound Effect interview, he gives you the in-depth story about that Avengers: Endgame sound - including the audio team's tactics for creating sounds that match the scale of what’s on-screen, how they kept the epic battles from becoming a chaotic mess, working with (and recreating) unique superhero signature sounds & much more:
#sound design#marvel#film sound#avengers endgameMay 7, 2019, 10:21 AM
https://io9.gizmodo.com/avengers-endgames-editor-c...
Avengers: Endgame is a movie almost entirely about providing a sense of payoff—to varying degrees of success—to 11 years of Marvel moviemaking. But one of its most powerful payoffs to the entire Marvel Cinematic Universe wasn’t actually in the film from the start. In fact, it didn’t even come from the Russo brothers or the screenwriters.
May 6, 2019, 10:01 AM
https://www.artofvfx.com/a-dogs-way-home-matt-welf...
Matt Welford began his career in the visual effects in 1999 at Mill Film as digital compositor. He then worked in many studios such as Weta Digital, MPC, Sony Pictures Imageworks before joining Pixomondo in 2017. As a VFX Supervisor, he took care of the effects of many movies like THE CHRONICLES OF NARNIA: THE VOYAGE OF DAWN TREADER, GREEN LANTERN and AMERICAN SNIPER.
May 3, 2019, 12:09 PM
https://www.premiumbeat.com/blog/industry-insights...
Composer Jacob Yoffee grew up traveling the globe, but it’s the universal language of music that keeps him grounded and connected.
May 2, 2019, 06:58 AM
https://www.redsharknews.com/production/item/6331-...
The Conversation (1974) belongs to the 1970s genre of conspiracy films, typified by Alan J Pakula's Klute (1971) and All the President's Men (1976). It is also part of a smaller category together with Blow Out (1981), The Lives of Others (2006) and Berberian Sound Studio (2012), in which sound plays a major role in driving the plot as well as its usual role of creating atmosphere and drama. Kevin Hilton delves into a murky world in which what you hear is not always clear.
May 1, 2019, 09:46 AM
https://www.artofvfx.com/missing-link-steve-emerso...
In 2016, Steve Emerson explained Laika‘s work on KUBO AND THE TWO STRINGS. He talks to us today about MISSING LINK.
April 26, 2019, 12:46 PM
https://directedbychuckjones.tumblr.com/post/18446...
Art from the 1974 Chuck Jones produced and directed, Rikki Tikki Tavi.
April 26, 2019, 10:53 AM
https://www.artofvfx.com/triple-frontier-mark-russ...
In 2011, Mark Russell explained his work on TOWER HEIST. He then worked on many films such as THE WOLF OF WALL STREET, A MOST VIOLENT YEAR, THE PROMISE and DEEPWATER HORIZON.
April 26, 2019, 06:22 AM
https://www.asoundeffect.com/star-trek-discovery-s...
The full, thrilling 2nd season of Star Trek: Discovery is now available on CBS All Access and Netflix around the world, and this exclusive interview with supervising sound editor Matthew Taylor and lead sound designer Tim Farrell gives you the in-depth story behind its signature sci-fi soundscape.
April 25, 2019, 12:03 PM
https://www.artofvfx.com/dumbo-richard-stammers-ov...
In 2015, Richard Stammers explained the work of MPC on THE MARTIAN. He talks to us today about DUMBO.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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