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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Schwartz on Veep, The Good Place and Arrested Deve

April 23, 2019, 06:15 AM

https://www.premiumbeat.com/blog/interview-compose...

There is a playful exuberance to composer David Schwartz‘s work. PremiumBeat sat down with the man behind Arrested Development, Veep, and the The Good Place to talk about edgy, smart comedy — and why it’s important to score what’s not on the screen.

SHAZAM! Editor on Balancing Horror and Comedy

April 19, 2019, 12:37 PM

https://www.slashfilm.com/shazam-editor-michel-all...

Just like director David F. Sandberg, editor Michel Aller came into Shazam! from the horror genre. But as odd a transition as that may seem, going from editing films like The Nun and Annabelle: Creation to editing this year’s most joyful superhero movie was pretty seamless for Aller.

Now Showing Cinefex 164

April 18, 2019, 09:31 AM

https://cinefex.com/blog/now-showing-cinefex-164/

Spring is here, and it reminds me that, for Cinefex, every year is a bifurcated one. Roughly, the six-month period of April through September brings with it the release of many large-scale, effects-heavy movies – the kind of movies that are our raison d’être. In contrast, the six months between October and March offer up a very different – shall we say, ‘more serious’? – type of film, those in which Nicole Kidman’s fake nose piece in The Hours is the most effects-y thing on the me...

Film Editors: What is a Radio Edit?

April 18, 2019, 06:22 AM

http://vashivisuals.com/film-editors-what-is-a-rad...

A radio edit is when you edit a project (short film, feature film, music video – anything) and lay out all the audio first.

Marvel's Debbie Berman bring's interesting women t

April 17, 2019, 06:23 AM

https://www.thenational.ae/arts-culture/film/marve...

As it became clear at the weekend at the Middle East Film and Comic Con, the appetite for all things in the Marvel Cinematic Universe shows no sign of abating, handy since the release of Avengers: Endgame is around the corner.

How To Set Up Side Chain Compression In Pro Tools

April 17, 2019, 06:22 AM

https://www.pro-tools-expert.com/home-page/2019/04...

In a new format we are producing videos offering tips and solutions to common problems in under a minute. In this free video tutorial we show you how easy it is to set up side chain compression in Pro Tools.

AE Stop Motion Effect

April 17, 2019, 06:22 AM

https://www.rocketstock.com/blog/stop-motion-video...

A while back, I produced a tutorial showing users how to get started creating stop motion videos. In that video, I show how to animate a basic paper crumple effect. The shot consists of a crumpled paper moving onscreen, uncrumpling, recrumpling, and then moving back off screen. To achieve the popular blocky-style look, I shot 50 images to create a 5-second animation at 10 fps. Yeah, all of this work for 10 seconds of video.

ACE Internship Program 2019

April 16, 2019, 06:17 AM

https://americancinemaeditors.org/interns19/

Following a rigorous selection process, ACE interns Irene Chun, a grad of Pepperdine University in Malibu, and Katelyn Wright, an alum of Full Sail University in Winter Park, Fla., recently completed a four-week ACE Internship Program that gave them their first look into the professional Hollywood post-production scene.

True Detective Season 3 - VFX Supervisor Interview

April 12, 2019, 10:47 AM

https://www.artofvfx.com/true-detective-season-3-j...

John Heller started his career in visual effects more than 20 years ago. He has worked in many studios like VIFX, Rhythm & Hues, Furious Effects and then he joined FuseFX in 2015. As a VFX Supervisor, he took care of the effects of projects such as RUSH HOUR, OUTSIDERS, THE LAST TYCOON and THE GOOD DOCTOR.

Terence Blanchard to Receive BMI Icon Award May 15

April 12, 2019, 10:47 AM

https://variety.com/2019/music/news/composer-teren...

Composer and jazz artist Terence Blanchard will be named a BMI Icon at the 35th annual Film, TV and Visual Media Awards of Broadcast Music Inc. on May 15 at the Beverly Wilshire Hotel in Beverly Hills.

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