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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

An Analysis of the Suspense & Timing of 'Drive'

November 23, 2014, 11:39 AM

http://nofilmschool.com/2014/11/creative-ways-buil...

Human beings are natural storytellers, but that doesn't mean that your great aunt Millie or Dave from Accounting can tell a story like the greatest literary and cinematic minds in history. That's because telling stories is a lot like -- dancing. You've gotta know when to drop it low, baby! In other, less confusing words, you have to know how to build tension, add suspense, as well as flavor -- a little something special, and then know when, where, and how to drop the climax bomb. (Otherwise you'...

How To Become A Commercial's Editor

November 18, 2014, 01:47 PM

http://jonnyelwyn.co.uk/film-and-video-editing/how...

In the latest edition of the very excellent The Assembly Magazine I had the opportunity for an in-depth chat with London commercials editor James Rosen. Check out some of his work and some extra questions in this spill-over post!

#interview#free download#london#the assembly#editing commercials#editing adverts#james rosen
Behind The Scenes on Interstellar

November 13, 2014, 06:21 AM

http://jonnyelwyn.co.uk/cool-videos-films-projects...

A quick round up of some of the best behind the scenes interviews and featurettes on Christopher Nolan's Interstellar

#behind the scenes#making of#making of interstellar#christopher nolan
Virtual Film School: Teach Kids Video Editing

November 4, 2014, 05:47 AM

http://wolfcrow.com/blog/virtual-film-school-teach...

Young Film Academy gives us a one-hour video to teach kids video production and editing, in an entertaining way...

Editing for Others vs. Editing for Ourselves

October 30, 2014, 04:44 AM

http://www.editvideofaster.com/editingothersvsours...

My assistant editor is learning a valuable lesson in her young career. She’s learning that when she’s editing for others, it isn’t necessarily about her sense of creative expression. It’s more about what the producer/client/director wants.

A fine Frenzy

October 29, 2014, 09:38 AM

http://deadline.com/2014/10/editing-duo-behind-bir...

When Alejandro Gonzalez Inarritu approached longtime editor Stephen Mirrione about shooting a wholly different movie—one that looked as if it were filmed in one take—Mirrione assumed Inarritu’s reputation as a control freak would quash the project quickly.

Creating Different Concepts of Reality Editing

October 28, 2014, 09:52 AM

http://www.tvtechnology.com/article/creating-diffe...

Editors rejoice. Every year the Creative Arts Awards given out by the Academy of Television Arts and Sciences heralds the greatest achievement in our craft. When the 2014 ceremony awarded the Emmy for “Outstanding Single-Camera Picture Editing For A Miniseries Or A Movie,” it was not only a great triumph for winner Yan Miles; it was also the fulfillment of a promise for me.

Aronofsky on What We Lose When Film Dies

October 26, 2014, 12:23 PM

http://www.indiewire.com/article/what-we-lose-when...

Darren Aronofsky and producing partner Scott Franklin sat down with Producers Guild of America president Gary Lucchesi at PGA's Produced By Conference in New York yesterday. Here's what Aronofsky had to say about his movies and the future of filmmaking at large.

Interstellar VFX Give Insight into Black Holes

October 24, 2014, 01:43 PM

http://boingboing.net/2014/10/24/interstellar-vfx-...

Wired has an interesting look at how the science behind Interstellar helped Caltech astrophysicist Kip Thorne develop new peer-reviewed papers on the science of black holes.

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