It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 9, 2019, 02:35 PM
http://vfxvoice.com/isle-of-dogs-how-every-frame-w...
ISLE OF DOGS Senior Visual Effects Supervisor Tim Ledbury on the range of visual effects work required for Wes Anderson’s stop-motion film.
January 9, 2019, 10:14 AM
https://www.artofvfx.com/bafta-2019-special-visual...
The BAFTA has just announced the nominees for the Special Visual Effects!
January 9, 2019, 10:14 AM
https://variety.com/2019/film/news/10-takeaways-20...
“The Favourite” lived up to its name with the British Academy of Film and Television Arts, which graced the homegrown period drama with a commanding 12 film award nominations Wednesday. But Bradley Cooper and Alfonso Cuaron made history, Glenn Close gained some momentum and Spike Lee got some love.
January 9, 2019, 10:13 AM
https://www.indiewire.com/2019/01/denis-villeneuve...
Editor Joe Walker (“Widows”) re-teams with director Denis Villeneuve on his passion project, “Dune,” a retelling of novelist Frank Herbert’s sci-fi saga about power, politics, and religion. This marks their fourth collaboration in a row, following “Sicario,” “Arrival,” and “Blade Runner 2049.”
January 9, 2019, 05:57 AM
https://www.awn.com/vfxworld/2019-academy-vfx-bake...
Each year, the Academy of Motion Picture Arts and Sciences brings the visual effects community together for its annual VFX Bake-Off, where visual effects artists from the 10 shortlisted films, competing for the five Oscar nominations, step onstage to share insights and anecdotes from their work. Held this past Sunday at the Samuel Goldwyn Theater in Beverly Hills, this year’s event saw a number of significant and welcome changes, including livestreaming, a new voting process, and a new present...
January 7, 2019, 06:09 PM
http://clinttill.net/blog/2019/1/7/this-video-isnt...
I was re-watching The Avengers the other night and as the climactic battle sequence raged, I couldn’t help but compare this sequence to a similar scene in another super hero film, Man of Steel.
January 7, 2019, 11:45 AM
https://www.artofvfx.com/aquaman-kelvin-mcilwain-o...
In 2017, Kelvin McIlwain explained his work on THE FATE OF THE FURIOUS. He talks to us today about the many challenges on AQUAMAN.
January 5, 2019, 08:36 AM
http://www.postmagazine.com/Press-Center/Daily-New...
Damien Chazelle’s feature, First Man, about the United States’ effort to land a man on the moon, is on the short list for the Academy Award in the Outstanding Visual Effects category. Here, visual effects supervisor Paul Lambert, who was part of the team that took home last year’s Oscars in the category for Blade Runner: 2049, provides some insight into the multitude of VFX techniques used in creating the film’s realism.
January 4, 2019, 06:48 AM
https://www.indiewire.com/2019/01/a-quiet-place-ed...
In the year of populist Oscar contenders “A Star Is Born” and “Black Panther,” pundits and fans are not forgetting about John Krasinski’s horror smash hit “A Quiet Place.” The critical favorite is expected to make a showing in below-the-line sound categories, and Emily Blunt gained momentum for Best Supporting Actress after earning a SAG nomination. During a recent interview with The New York Times, Krasinski dropped a fascinating nugget of information about the making of the movie...
January 3, 2019, 07:50 AM
https://www.asoundeffect.com/spider-man-into-the-s...
Moviegoers and reviewers are blown away by the sound for Spider-Man: Into the Spider-Verse - and here are the stories behind both its sound design and score, as told by supervising sound editors Curt Schulkey and Geoffrey Rubay, and composer Daniel Pemberton...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.