It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 17, 2019, 10:16 AM
https://www.redsharknews.com/audio/item/6088-escap...
Sometimes being just behind a technological trend is not always a bad thing. While the original Dolby Stereo surround mix of Star Wars (Episode IV - A New Hope, 1977) sounded like someone playing with a new toy, the soundtrack for John Carpenter's Escape from New York (1981) still stands up today. Kevin Hilton digs into the sounds and music of an 80s dustpan cult classic.
January 16, 2019, 11:43 AM
https://www.artofvfx.com/welcome-to-marwen-romain-...
Romain Arnoux has more than 20 years of experience in visual effects. He has worked in many studios like Mac Guff Line, DNEG, Weta Digital, MELS and joined Framestore in 2017. He has worked on many films such as AVATAR, THE ADVENTURES OF TINTIN, JOHN CARTER and RACE.
January 15, 2019, 07:06 AM
https://www.prnewswire.com/news-releases/shutterst...
Shutterstock, Inc. (NYSE: SSTK), a leading global technology company offering high-quality assets, tools and services through its creative platform, today launched its eighth annual 2019 Creative Trends Report. This year's eleven design styles, many of which echo the past in a playful and in a decadent way, predict the top influences for design and visual production in 2019.
January 14, 2019, 12:11 PM
https://www.artofvfx.com/welcome-to-marwen-kevin-b...
In 2015, Kevin Baillie explained to us the work of Atomic Fiction (now Method Studios) on THE WALK. He then worked on STAR TREK BEYOND, ALLIED and the TV series, MANIFEST. Today he talks about his new collaboration with director Robert Zemeckis for WELCOME TO MARWEN.
January 14, 2019, 12:11 PM
https://www.premiumbeat.com/blog/how-coen-brothers...
While we all know and love the Coen Brothers for their filmmaking masterpieces spanning from Raising Arizona to The Big Lebowski to their latest Netflix anthology series The Ballad of Buster Scruggs, we usually associate the brothers as savant writer and directors.
January 11, 2019, 11:43 AM
https://www.artofvfx.com/aquaman-jay-barton-vfx-su...
In 2017, Jay Barton explained the work of Digital Domain on THE FATE OF THE FURIOUS. He talks to us today about his work on AQUAMAN.
January 11, 2019, 11:42 AM
https://www.slashfilm.com/the-morning-watch-ant-ma...
The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
January 11, 2019, 05:26 AM
https://www.slashfilm.com/dune-editor-joe-walker/
Denis Villeneuve has tapped his frequent collaborator Joe Walker as the Dune editor. This marks the French-Canadian director’s fourth collaboration with Walker in a row, after they’ve worked together on Sicario, Arrival, and Blade Runner 2049.
January 10, 2019, 09:38 AM
https://jonnyelwyn.co.uk/film-and-video-editing/of...
Enjoy over 8 hours of DaVinci Resolve 15 training from Blackmagic Design covering colour grading, editing, mixing, visual effects and 3D graphics and much more! Plus pick up both official training books for under $10!
#editing#video tutorials#colour grading#audio mixing#free training#davinci resolve trainingJanuary 10, 2019, 05:39 AM
https://deadline.com/2019/01/black-panther-geoffre...
Before the game-changing Black Panther, visual effects supervisor Geoffrey Baumann had worked on a number of Marvel projects, supervising computer graphics and second unit work before earning his current title in this domain. A BAFTA nominee this year, shortlisted by AMPAs as well for Best Visual Effects, Baumann had one mandate from director Ryan Coogler, when it came to his first blockbuster: Above all else, Black Panthershould hold true to Africa.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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