It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 31, 2019, 10:56 AM
https://www.goldderby.com/article/2019/2019-oscar-...
Before academy voters start casting their final ballots for the Oscars on Feb. 12, they will know the winners of 8 of the 13 guild awards. The actors, producers and casting directors chimed in before nominations were announced on Jan. 22. Seven more are set to reveal their best of the year in ceremonies over the next four weeks.
January 31, 2019, 10:55 AM
https://www.asoundeffect.com/film-documentary-trai...
If you want to make it in sound, diversifying your revenue stream helps insulate you from the ups and downs of the audio industry - and in effect, it allows you to keep doing what you love (and make a living from it), year after year.
January 31, 2019, 03:59 AM
https://jonnyelwyn.co.uk/film-and-video-editing/ed...
I chat with editor Julia Bloch on moving countries to edit, cutting The Wall for Doug Liman, Woodshock for two fashion designer sisters and Hold The Dark for Jeremy Saulnier, plus a bunch of stuff in between.
#film editing#feature film editing#julia blochJanuary 30, 2019, 01:23 PM
https://nofilmschool.com/Kuleshov-effect-definitio...
We all know that film is a visual medium. But we often forget that it's not that old. We've only had Hollywood movies for about 100 years. And while storytelling is as old as time, the way we design and edit movies and television to tell those stories is relatively new. Techniques are developed all the time.
January 30, 2019, 10:24 AM
https://filmmakermagazine.com/106832-editor-johann...
Drawing on his longtime friendship with the legendary novelist, photographer and documentarian Timothy Greenfield-Sanders’ Toni Morrison: The Pieces I Am paints a full, intimate portrait of her life and work.
January 30, 2019, 10:23 AM
https://www.premiumbeat.com/blog/interview-supervi...
We recently spoke with one of the busiest supervising sound engineers in the business about what it takes to build a world using sound.
January 30, 2019, 05:46 AM
http://vfxvoice.com/mary-poppins-returns-and-so-do...
MARY POPPINS RETURNS Visual Effects Supervisor Matt Johnson on honoring the original film’s timeless analog qualities
January 29, 2019, 01:53 PM
https://nofilmschool.com/sundance-editor-alexandri...
How do you edit a film about a public sensation before she’s become one? And how do you edit the story of four different women running for office, without knowing if any of them will win? Robin Blotnick knows the answer, and it involves organization, a ton of scene cards, and imaginative problem-solving when it comes to envisioning the future.
January 29, 2019, 10:07 AM
https://www.artofvfx.com/aquaman-josh-simmonds-cra...
With over 25 years of experience, Josh Simmonds has worked on many films such as AUSTRALIA, DON’T BE AFRAID OF THE DARK, HAPPY FEET TWO and MAD MAX: FURY ROAD. As a VFX supervisor, he took care of the effects of films like THE BOY, UNDERWORLD: BLOOD WARS, A-X-L and THE BALLAD OF BUSTER SCRUGGS.
January 28, 2019, 06:59 AM
https://www.asoundeffect.com/aquaman-sound/
In this in-depth A Sound Effect interview, supervising sound editors Peter Brown and Joe Dzuban take you behind the scenes on their sound work for the film - covering everything from creatively crafting powerful water sounds, creating Trident hits, ‘laser’ guns, and gigantic deep-sea battle sounds, to the challenges of designing (intelligible) underwater vocals:
#sound design#film sound#aquaman#aquaman sound#aquaman sound design
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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