It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 13, 2019, 07:30 AM
https://www.artofvfx.com/mary-poppins-returns-matt...
In 2013, Matt Johnson explained the work of Cinesite on WORLD WAR Z. He then took care of the effects of films like JACK RYAN: SHADOW RECRUIT, INTO THE WOODS and NOW YOU SEE ME 2.
February 12, 2019, 06:42 AM
https://doddlenews.com/larry-jordan-commentary-suc...
These are perilous times. There has never been a better time to tell stories with video. High-quality gear is more affordable, while low-cost world-wide distribution options abound. Even better, there is a vast audience hungry for visual stories. But, when it comes to succeeding by making money on the stories we create – that’s an entirely different matter.
February 11, 2019, 11:44 AM
https://www.bustle.com/p/film-editor-thelma-schoon...
Three Oscars, one BAFTA Fellowship, and the editing brains behind some of the world's most memorable films. Even if you don't recognise film editor Thelma Schoonmaker's name, you'll certainly know her work. Whether it's the high stakes humour of The Wolf of Wall Street or the cult classic that is Raging Bull, the now 79-year-old has shaped dozens of cinematic masterpieces.
February 11, 2019, 05:08 AM
https://www.goldderby.com/article/2019/2019-oscar-...
“Roma” may have won only four BAFTAs to those seven for “The Favourite” but this haul included the top prize of Best Picture. Multi-hyphenate Alfonso Cuaron shared in that win as well as the one for Best Foreign Language Film and claimed the other two on his own for directing and lensing this intimate memoir.
February 8, 2019, 11:45 AM
https://www.broadcastbeat.com/aja-ha5-12g-mini-con...
AJA Video Systems is expanding its 12G-SDI products for professional broadcast, production and proAV workflows with the new HA5-12G Mini-Converters, now shipping.
February 7, 2019, 08:19 AM
https://jonnyelwyn.co.uk/film-and-video-editing/ma...
Check out this giant round up of insider videos, look breakdowns and early stage artwork from the creative team behind the epic film, including: - Behind the animation techniques - Creating the look of the film - Editing an animated feature - Inside the soundtrack - More!
#making of#spiderman into the spider verse#animated featuresFebruary 7, 2019, 05:02 AM
https://deadline.com/2019/02/blackkklansman-barry-...
Oscar-nominated editor for BlacKkKlansman and longtime Spike Lee collaborator Barry Alexander Brown will direct Son of the South, a feature that he wrote. Lee, who is up for the directing Oscar for BlacKkKlansman, will serve as an executive producer on the project. It’s is based on the autobiography, The Wrong Side Of Murder Creek by Bob Zellner, an Alabama native and grandson of a Birmingham Klansman.
February 6, 2019, 07:32 AM
https://www.premiumbeat.com/blog/premiumbeat-intro...
Looking for some more creativity when working with audio tracks in your edit? With track stems, you can create a whole new sound for your project.
February 6, 2019, 07:32 AM
https://deadline.com/2019/02/ready-player-one-roge...
Between Saving Private Ryan and Ready Player One—the critically acclaimed adaptation of Ernest Cline’s 2011 novel—VFX supervisor Roger Guyett has been along for the ride on two of the most demanding projects of Steven Spielberg’s career.
January 31, 2019, 10:56 AM
https://www.artofvfx.com/bird-box-marcus-taormina-...
Marcus Taormina began his visual effects career more than 10 years ago. He has worked on many movies like THE AMAZING SPIDER-MAN, FURY, TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS and BRIGHT.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.