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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Watch How the ‘Orphan Black’ F/X Team Made th

June 26, 2016, 09:26 AM

https://www.yahoo.com/tv/emmy-talk-watch-how-the-1...

As we enter Emmy season — nomination voting runs through June 27 — Yahoo TV will be spotlighting performances, writing, and other contributions that we feel deserve recognition. Last year, Emmy voters righted a wrong by rewarding Tatiana Maslany’s remarkable performance(s) as Orphan Black’s multiple

HDR Is Coming to Hitachi’s Broadcast Camera Line

June 24, 2016, 08:55 PM

http://www.studiodaily.com/2016/06/hdr-is-coming-t...

Hitachi said it will add HDR capabilities to its HDTV and UHD 4K broadcast cameras at the 2016 Telemundo Cine Video Television Expo in Mexico City next week. Any Hitachi camera purchased before September 30 will get the HDR capabilities … more » The post HDR Is Coming to Hitachi’s Broadcast Camera Line appeared first on Studio Daily.

Unwinding A Twister: How Researchers Can Visualize

June 23, 2016, 10:09 PM

http://feedproxy.google.com/~r/nvidiablog/~3/sa2k0...

The only thing as daunting as the computational problem of simulating a tornado may be standing in the path of an actual one. Leigh Orf is one of the leading computational scientists studying tornadoes. Based at the Cooperative Institute for Meteorological Satellite Systems, at the University of Wisconsin, Madison, he researches the conditions that trigger […] The post Unwinding A Twister: How Researchers Can Visualize Large Datasets with NVIDIA IndeX on ParaView appeared first on The Off...

PDFviewer Now Available For After Effects

May 4, 2016, 05:34 PM

https://www.aotg.com/pdfviewer-now-available-for-after-effects/

PDFviewer will be the best utility in your After Effects arsenal. You can open any PDF file inside the After Effects interface. This will save you countless hours of switching back and forth to other applications and resizing the After Effects interface. Great for Scripts, Transcriptions, Storyboards and Script Notes.

#adobe#after effects#pdfviewer
VFX Nazi-Run World in The Man in the High Castle

February 11, 2016, 06:57 AM

https://www.aotg.com/vfx-nazi-run-world-in-the-man-in-the-high-castle/

Amazon Studios’ “The Man in the High Castle” take places in an alternate history, set in a post-WWII world where the Axis powers ended up victorious. To create the look of a United States run by Imperial Japan and Nazi Germany, FX studio Psyop was tasked with creating difficult visual effects and environment work. Find out how they did it.

Furious 7 VFX Team on Digital Doubles for Paul Wal

October 17, 2015, 06:08 AM

https://www.yahoo.com/movies/furious-7-visual-effe...

Paul Walker in ‘Furious 7′ (Universal) By Tim Gray, Variety Just before Universal debuted Furious 7 in April, Vin Diesel deadpanned to Variety that it would win the best picture Oscar. That’s not likely, but the film definitely merits serious awards consideration in all artisan categories: Editing, sound, cinematography, music — and visual effects. When the film opened, the media carried brief descriptions of how the VFX team had successfully re-created some images of Paul Walker, who...

Framestore Completes VFX Work on The Martian

October 9, 2015, 04:32 PM

http://www.btlnews.com/awards/framestore-completes...

Framestore recently delivered 338 shots for The Martian, directed by Ridley Scott and starring Matt Damon. The sequences follow Mark Watney (Damon) and his fellow astronauts in outer space environments that are synonymous with the Framestore name, thanks to 2013’s Oscar-winning Gravity. The post Framestore Completes VFX Work on The Martian appeared first on Below the Line.

Framestore Delivers Stellar VFX for The Martian

October 6, 2015, 05:20 AM

http://www.awn.com/news/framestore-delivers-stella...

Framestore delivers 338 out-of-this-world visual effects sequences for Ridley Scott’s ‘The Martian,’ including the space ship Hermes, CG environments on Mars, and a dazzling ending sequence.

practical effects of The Last Witch Hunter

October 3, 2015, 06:22 AM

http://www.hitfix.com/harpy/behind-the-practical-e...

Back in November, I visited the set of “The Last Witch Hunter” with several fellow entertainment journalists. Justin Rawlins of Fractured Effects was on hand to walk us through the extensive — and confidential — book of concept art and how his team helped translate dreams into reality.

Virtual Reality Inches Closer

September 23, 2015, 09:33 AM

http://blog.planet5d.com/2015/09/virtual-reality-i...

Who didn’t tell me that YouTube can do 360 degree video? Why wasn’t I in the loop on this?

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