It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 30, 2016, 05:40 AM
http://www.animationmagazine.net/people/vfx-prods-...
FuseFX continues to bulk up its talent roster for its Vancouver facility: joining up are VFX Producers Chad Cortvriendt and Graeme Marshall, who both bring extensive experience in the Canadian visual effects industry across film, TV, advertising and more. The new arrivals will work with the VFX teams attached to Legion, Dark Matter and Zoo.
August 29, 2016, 05:49 PM
http://www.broadcastbeat.com/vfx-producers-chad-co...
LOS ANGELES— FuseFX continues to add seasoned talent to its production facility in Vancouver. Its latest additions are VFX Producers Chad Cortvriendt and Graeme Marshall with both bringing lengthy experience in the Canadian visual effects industry and credits spanning television, features, advertising and other media. The two producers are working with teams creating visual effects ...
August 29, 2016, 12:19 PM
http://www.artofvfx.com/ben-hur-vfx-breakdown-by-m...
Nice VFX Breakdown by Mr. X focusing on the chariot race sequence of BEN-HUR...
August 29, 2016, 09:15 AM
http://www.artofvfx.com/mechanic-resurrection-ajoy...
In 2012, Ajoy Mani talked to us about his work on THE EXPENDABLES 2. He then took care of the visual effects of movies such as HOMEFRONT and THE EXPENDABLES 3.
August 27, 2016, 03:57 PM
http://lesterbanks.com/2016/08/motion-graphics-pyt...
Ian Waters provides some practical examples for using the Python Node in Maya's Motion Graphics Toolkit, MASH. The Post A Rough Guide to the Motion Graphics Python Node in Maya originally appeared and published on %%BLOGLINK%,by lesterbanks
August 26, 2016, 08:44 AM
http://www.postmagazine.com/Video-Center/Gallery/V...
The Iloura team completed 500 shots, led by Iloura VFX supervisors Glenn Melenhorst and Andrew Hellen and Iloura VFX producers Ineke Majoor and Jeannette Manifold. The feature was colored by Jill Bodganowicz at Deluxe’s Culver City, CA, facility. Iloura’s slate of work focused on look development for and creation of ghostly characters. Iloura 2016 Ghostbusters breakdown reel from Iloura on Vimeo.
August 26, 2016, 08:43 AM
http://www.artofvfx.com/mr-x-showreel-2016/?utm_so...
Brand new showreel by Mr. X featuring their VFX work on BEN-HUR, CRIMSON PEAK, VIKINGS, PENNY DREADFUL and many more...
August 26, 2016, 08:43 AM
http://www.goldderby.com/article/2016/black-sails-...
“I think television in general right now is just going through an amazing sort of heyday,” declares “Black Sails” VFX Supervisor Erik Henry during our recent webcam chat (watch above). As he explains, “the quality of effects work in at least cable or pay television certainly rivals film.” Henry scored an Emmy nomination for his work on season three of the Starz series, which imagines the exploits of Captain Flint (Toby Stephens) and Long John Silver (Luke Arnold) 20 years before the ...
August 25, 2016, 09:16 AM
http://www.artofvfx.com/suicide-squad-mark-breaksp...
After explaining to us about the work of Method Studios on THE GIVER in 2014, Mark Breakspear joined Sony Pictures Imageworks. He handled the visual effects of AMERICAN SNIPER and then SUICIDE SQUAD.
August 25, 2016, 04:31 AM
http://www.premiumbeat.com/blog/how-to-stop-video-...
Revisions can be a pain equally felt by video editors, motion designers, VFX artists and colorists. Here are some tips on limiting endless video revision requests so you can get to work on your next project.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.