To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
New: Koji Film Color LUTs
October 17, 2014, 05:26 PM
http://www.toolfarm.com/blog/entry/new_koji_film_c...
True film color, from the people who know it best. Led by acclaimed film color timer Dale Grahn (Saving Private Ryan, Gladiator, Apocalypse Now Redux), Koji brings the striking color of true 35mm film to digital filmmakers for the first time.
DaVinci Resolve Used to Grade Fall’s Most Antici
October 17, 2014, 12:45 PM
http://bosfcpug.org/davinci-resolve-used-to-grade-...
DaVinci Resolve is being used to color grade an exciting lineup of America’s brand new and returning hit fall television shows on top primetime and cable networks.
Da Vinci (circa 2014)
October 17, 2014, 04:47 AM
http://blogs.adobe.com/conversations/2014/10/da-vi...
color correction / grading
October 15, 2014, 07:16 PM
http://splicevine.com/color-correction-grading/
Links on color correction / color grading: Interaction of Color – a cool interactive app based on the 50 year old bible on color theory AutoGrade – this plugin, works in a variety of apps, is touted as an advanced white balance […]
How do you colour correct in Final Cut Pro X?
October 15, 2014, 08:14 AM
http://www.fcp.co/final-cut-pro/articles/1521-how-...
This video from Terence Curran explaining the basics of colour correction got us thinking. How do you colour correct in FCPX?
Why We Need Color Correction
October 14, 2014, 04:43 AM
http://provideocoalition.com/news/story/And-why-we...
The tools of our trade have been commoditized. Everyone can perform the job of seasoned video and film professionals, right? If you answered no, do you think the average consumer can articulate the value you add over the...
Psychology of Colors
October 13, 2014, 04:31 AM
http://www.fubiz.net/2014/10/13/psychology-of-colo...
A la manière de Genis Carreras qui a mis des formes sur des mouvements philosophiques, le photographe allemand Christian Stoll a voulu mettre des couleurs sur des sentiments et des traits de caractères dans sa série, Psychology of Colors.
FXPHD Resolve history 2007-2014
October 12, 2014, 07:03 AM
http://icolorist.com/fxphd-resolve-history-2007-20...
I started using DaVinci Resolve in 2005. It was a $300,000 system, the hardware rack was the size of a doorway and it took a Resolve engineer two days to install. In 2006 I met with Mike Seymour and John Montgomery, who said they were thinking of opening an online university. They asked me if I would like to be their professor of color. I didn’t really have any ideas of the specifics, but being keen to try different things I jumped at the chance.
Filmmaking: Why Do We Need Color Correction?
October 9, 2014, 07:05 PM
http://www.avidblogs.com/filmmaking-why-do-we-need...
The article Filmmaking: Why Do We Need Color Correction? by Terence Curren appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
DaVinci Resolve Used on Brew Dogs
October 9, 2014, 12:44 PM
http://soundandpicture.com/2014/10/blackmagic-pock...
Fremont, CA — Blackmagic Design today announced that three Pocket Cinema Cameras are being used to shoot footage for Esquire Network’s hit television show “Brew Dogs,” including driving scenes, food and beer photography and character hero shots. DaVinci Resolve is being used to color grade the series by Kelly Reese of Deluxe, a global leader in media and entertainment services.
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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