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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Koji - the cross platform 35mm accurate film colou

October 8, 2014, 09:39 AM

http://www.fcp.co/final-cut-pro/news/1516-koji-the...

Crumplepop has teamed up with film industry veteran Dale Grahn to produce a range of cross-platform plugins that produce highly accurate 35mm film colour emulation. They are called Koji.

Five top tips for colorists from Resolve Artist Wa

October 3, 2014, 04:18 AM

http://www.redsharknews.com/post/item/2068-five-to...

World renowned freelance colorist Warren Eagles shares five top tips that shed light on the dark art of color grading and the life of a colorist. By Matt Aindow. coloristDa Vinci ResolveColor GradingColor Correction

Color Grading in DaVinci Resolve 11 by Alexis Van

October 3, 2014, 04:18 AM

http://www.fcp.co/hardware-and-software/pro/1511-c...

Alexis Van Hurkman has just released his set of tutorials on the new edition of DaVinci Resolve 11. Over thirteen hours of training and 20% off until October the 8th.

New Ripple Training Grading in Resolve 11

October 2, 2014, 07:12 PM

http://vanhurkman.com/wordpress/?p=3084

It’s taken Ripple Training a bit over a month to edit and polish the recordings I delivered just prior to getting out of town for my recent epic multi-country journey, but after much (amazingly well done) work, my brand new “Color Grading in DaVinci Resolve 11” title is finally available.

Quick Chat: New color grading boutique Apache Digi

October 1, 2014, 04:48 PM

http://postperspective.com/quick-chat-new-color-gr...

By Randi Altman When Apache Digital opened its doors in late July in Santa Monica, they knew exactly what they wanted to do — provide color grading services, and only color grading services, in a boutique environment. They felt that was the best way to serve their clients. Their philosophy has paid off. Apache, founded […]The post Quick Chat: New color grading boutique Apache Digital appeared first on postPerspective - Randi Altman's postPerspective.

Color Grading Paramore’s “Last Hope”

October 1, 2014, 01:24 PM

http://coatofarmspost.com/color-grading-paramores-...

We love to color correct, especially when the footage includes singer Hayley Williams and rock band Paramore. Performing live from the Monumentour in Chicago, Illinois on July 11, 2014, Paramore recorded a live video for their song “Last Hope.” With Director Michael Thelin‘s direction, Coat of Arms edited and color corrected the entire video. Color correction is [...]

Boris FX Adds Blackmagic DaVinci Resolve Support t

October 1, 2014, 01:24 PM

http://provideocoalition.com/news/story/boris-fx-a...

Boris FX, the leading developer of integrated VFX and workflow technology for video and film, announces added host support for Blackmagic DaVinci Resolve to its flagship product line, Boris Continuum Complete (BCC), and to Boris RED. "From the advanced vector titling of Boris RED 5.5 to the...

ASC Color Decision List To Receive HPA

September 30, 2014, 09:48 AM

http://www.hollywoodreporter.com/behind-screen/asc...

The American Society of Cinematographers Color Decision List (ASC CDL)—developed by the ASC Technology Committee with contributions from a broad group of industry participants—will receive the Hollywood Post Alliance Judges Award for Creativity and Innovation in Postproduction.

The pros and cons of adding a 4K display to your M

September 29, 2014, 04:55 AM

http://www.macworld.com/article/2598045/really-big...

Monitors that stretch the width of your desk are so last year. Rob Griffiths decided he wanted to try something new: a 4K high-density screen.

LUTs en Final Cut Pro X con LUT Utility

September 28, 2014, 07:49 AM

http://finalcutargentina.blogspot.com/2014/06/luts...

Una situación recurrente editando proyectos con el Final Cut Pro 7 era –y para aquellos que aún lo utilizan sigue siendo– tener que lidiar con archivos provenientes de Arri Alexa y su Log C, que provee un mayor rango dinámico para la corrección de color pero como contraparte, la imagen se ve muy chata si no se la interpreta adecuadamente y para ello necesitamos un plugin que requiere un proceso muy intensivo y por lo tanto, largos tiempos de render.Final Cut Pro X tiene desde hace va...

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