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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

New High End Color Correction House Apache Digital

September 26, 2014, 11:30 AM

http://bosfcpug.org/new-high-end-color-correction-...

Blackmagic Design has announced that new Los Angeles based color correction house Apache Digital has built its two new color correction suites around DaVinci Resolve.

55/55 Exporting Color Lookup Tables in Photoshop C

September 26, 2014, 11:28 AM

http://blogs.adobe.com/jkost/2014/09/5555-exportin...

If you’ve ever created a special style or “look” to apply to your images using multiple layer adjustment and blending options, then the ability to create and export Color Lookup Tables (LUTs) in Photoshop CC could potentially save you a significant amount of time. Although historically Color LUTs have been used primarily by the film industry, I believe that many photographers and designers will find the ability to remap any color in an image to any other color quite powerful. These...

Kendall Eckman from Blackmagic at IBC 2014

September 25, 2014, 07:19 PM

http://www.youtube.com/watch?v=413f1biNTtA&feature...

Kendall Eckman from Blackmagic at IBC 2014 We popped by the Blackmagic booth at IBC 2014 to chat with Kendall Eckman, who filled us in on some news and updates. Blackmagic purchased Eyeon Fusion, a node-based compositing system with... From: postPerspective Views: 0 0 ratings Time: 02:15 More in Film & Animation

What I saw at IBC 2014

September 25, 2014, 07:17 PM

http://icolorist.com/what-i-saw-at-ibc-2014/

to Luke Skywalker in1977 now exists in our own galaxy and can project holographic images right in front of you. I would say 3-D images but that term has been so badly abused and confused with stereoscopic that it seems unfair to use it for an image that you can you walk around. The screen was only the size of a dinner plate but I really could walk behind a projected object and see the back of it. It already has medical and industrial interest and I am told that there is technically no reason why...

The top colour trends of 2014

September 24, 2014, 09:15 AM

http://www.creativebloq.com/infographic/top-colour...

We're all creative people, and no one likes to follow trends. At the same time, though, it's good to know what they are. But how do you decidewhether something is a trend or not?

Blog: color grading, end to end post, more

September 18, 2014, 07:27 PM

http://postperspective.com/blog-color-grading-end-...

By Chris Ryan We had three meetings today: Filmlight, SGO and Rohde & Schwarz. Here’s the rundown… FilmLight Nice Shoes currently uses FilmLight’s Baselight system for color grading, so we went to their booth first to touch base on new products and to get a feel for where they’re heading in the future. Their big […]The post Blog: color grading, end to end post, more appeared first on postPerspective - Randi Altman's postPerspective.

IBC Blog: 
color grading, end to end post, more

September 18, 2014, 12:32 PM

http://postperspective.com/ibc-blog-color-grading/...

By Chris Ryan We had three meetings today: Filmlight, SGO and Rohde & Schwarz. Here’s the rundown… FilmLight Nice Shoes currently uses FilmLight’s Baselight system for color grading, so we went to their booth first to touch base on new products and to get a feel for where they’re heading in the future. Their big product […]The post IBC Blog: 
color grading, end to end post, more appeared first on postPerspective - Randi Altman's postPerspective.

QUIZ: What Pantone colour are you?

September 18, 2014, 09:36 AM

http://www.creativebloq.com/creativity/quiz-what-p...

We know, deep down, you'd really like to know your perfect shade of red, purple, or blue, perhaps? Here's your chance to find out...

Monitor Calibration with SpectraCal

September 18, 2014, 04:43 AM

http://training.abelcine.com/event/monitor-calibra...

To truly judge your image on set, in post production, or in any color critical environment it is necessary to have a properly calibrated monitor. This course provides in-depth monitor calibration training using the latest software from SpectraCal. Topics range from basic brightness and contrast adjustments, to building ICC profiles and 3D LUTs. Learn both the theory behind monitor calibration techniques, and how to implement them with SpectraCal’s CalMan software. Attendees will leave with the...

Blackmagic DaVinci Goes up to 11

September 17, 2014, 05:06 PM

http://library.creativecow.net/owens_joseph/DaVinc...

Colorist Joseph Owens has been in the heart of postproduction for over 30 years, and has used one form or another of DaVinci Resolve for a large part of that. In his look at the latest release of what he calls the gold standard for color correction, he both covers new features, and considers the possibilities that those features offer.

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