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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Colour of Beer

September 17, 2014, 11:29 AM

http://www.fastcocreate.com/3035877/see-how-colorf...

Years ago, artist and photographer Angelica Dass began a project of cataloging every variant of human skin tone with a corresponding Pantone color. This chromatic inventory served as both a comment on diversity and a celebration of color. In a less lofty, but certainly more drunkifying examination, a designer has matched the labels of beer cans with the color of the brew within.

Toggling colour corrections, smooth slow motion an

September 17, 2014, 11:25 AM

http://www.fcp.co/final-cut-pro/tutorials/1501-tog...

This week's Ripple trio of tutorials (or should that be triple Ripple!) will show you a very handy assignable shortcut, how to replace a sign in Motion and the trick to getting silky smooth slow motion in FCPX.

The Colours of Death Valley

September 17, 2014, 04:22 AM

http://www.fubiz.net/2014/09/17/death-valley-color...

Le photographe américain Jordan Sullivan a pensé le désert et son ciel comme un pantone dans la série « Death Valley ». On y voit des sommets de montagnes qui forment leurs lignes d’horizon sur des fonds violets, roses, jaunes et bleus. Une série qui fait penser à celle de L’Atelier Cordulia.

SGO Previews Mistika 8.4 at IBC

September 15, 2014, 02:56 PM

http://www.studiodaily.com/2014/09/sgo-previews-mi...

SGO released v8.2 of its Mistika software in the days leading up to IBC and previewed v8.4 on the show floor, focusing on support for 4K and Ultra HD, high frame rate (HFR) and high dynamic range (HDR). One change … more »

Colorfront Transkoder 2014 Goes 8K

September 15, 2014, 02:56 PM

http://www.studiodaily.com/2014/09/colorfront-tran...

Budapest, Sept 13, 2014 – Colorfront (www.colorfront.com), the Academy and Emmy Award-winning developer of high-performance, dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, today broke performance barriers with the announcement of Colorfront Transkoder 2014, the automated, standalone system … more »

How to Create LUTs in DaVinci Resolve

September 15, 2014, 04:42 AM

http://wolfcrow.com/blog/how-to-create-luts-with-a...

If you’re not sure what a Look-up Table (LUT) is, start by reading What is a LUT?. In this article, we’ll learn how to create LUTs in DaVinci Resolve. We’ll also see what format to save LUTs in, and where these LUTs are saved on your computer.

COLORFRONT TRANSKODER 2014 GOES 8K

September 14, 2014, 06:14 AM

http://news.creativecow.net/story/877204

(Budapest--September 13, 2014) Colorfront, the Academy and Emmy Award-winning developer of high-performance, dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, today broke performance barriers with the announcement of Colorfront Transkoder 2014, the automated, standalone system for high-quality digital file conversion, now featuring ground-breaking real-time 8K and 3D4K capabilities.

What's new in DaVinci Resolve 11.1

September 13, 2014, 08:24 AM

https://www.youtube.com/watch?v=Ur87Z5w1u-k

Media Page Drag and drop of folder from Media Storage to Media Pool bin area preserves hierarchy Additional Media Pool context menu: Reveal in Media Library ...

Don’t Confuse a DIT with a Data Wrangler or Runn

September 9, 2014, 12:55 PM

http://www.xdcam-user.com/2014/09/dont-confuse-a-d...

Bit of a rant here as one of the roles I perform on some shoots is that of DIT or Digital Imaging Technician.

SpeedGrade Is Like Photoshop

September 8, 2014, 09:42 AM

http://www.creativeimpatience.com/sg-is-ps/

Quite often I hear from new users that SpeedGrade is not intuitive, difficult, and completely different from any other Adobe application. Curious but unaware people are quickly discouraged by its seemingly complicated and impenetrable interface. In some sense this is true, there are complex and dark places in SpeedGrade frequented … see more →

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