It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 18, 2017, 12:54 PM
http://nofilmschool.com/2017/04/baselight-student-...
Producing the best quality software doesn't always win companies a user base. They also need a large body of skilled users—and a pipeline of new users learning to use your product to bring in as assistants—to have a chance at a market share. As we saw a decade ago with Final Cut 7 taking a huge bite out of Avid because so many students learned it in school, software companies need to ensure that the next wave of filmmakers knows how to use their platform. Blackmagic Da Vinci Resolve offers i...
April 13, 2017, 07:41 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — At NAB 2017 FilmLight (www.filmlight.ltd.uk) will demonstrate Version 5.0 of its advanced color tools. Users benefit from the same powerful toolkit, and a consistent and familiar user experience, from the flagship Baselight color grading and finishing system, through Baselight Editions, to Daylight and the new on-set application, Prelight.
April 7, 2017, 06:04 AM
http://www.studiodaily.com/2017/04/sgo-growth-mode...
SGO will make its Linux-only Mistika finishing system more accessible this year with the introduction of less-expensive new Mac OS and Windows versions tailored to specific post-production tasks and disciplines. First up is Mistika VR, featuring powerful technology for real-time stitching of 360-degree images. “We are slicing parts of the product into specific new products that […] The post SGO in Growth Mode: New Mistika Products on the Way for Mac and PC appeared first on Studio Daily.
April 6, 2017, 10:00 AM
https://www.sgo.es/sgo-introduces-multi-dimensiona...
SGO is set to introduce a new natively integrated workflow concept at this year’s NAB and launch the first phase
March 31, 2017, 05:23 AM
http://www.sgo.es/sgo-to-reveal-mistika-8-7-capabi...
SGO will be showcasing Mistika version 8.7 with exclusive demonstrations on VR, HDR, Colour grading, 4K and 8K capabilities at
March 26, 2017, 12:04 PM
http://www.geforce.com/whats-new/articles/tom-clan...
“Shot With GeForce GTX” NVIDIA Ansel ContestCapture and share amazing NVIDIA Ansel screenshots in Tom Clancy’s Ghost Recon Wildlands for a chance to win fantastic prizes.
March 2, 2017, 05:33 PM
http://postperspective.com/looking-aces-color-work...
By Sarah Priestnall Last year’s Café Society marked a milestone in Woody Allen’s cinematic career — the first of his movies to be acquired digitally, mostly with the Sony F65 camera, and with additional use of the Sony F55. To accompany him in this endeavor, he turned to legendary Italian cinematographer Vittorio Storaro, Continue reading → March 2, 2017 The post Looking at the ACES color workflow on Café Society appeared first on Randi Altman's postPerspective.
February 23, 2017, 03:09 PM
http://www.broadcastbeat.com/colorist-bryan-mcmaha...
Award-winning colorist, whose credits include the Terrence Malick films “Weightless” and “Knight of Cups”, joins expanding division focused on theatrical mastering. BURBANK—February 23, 2017— Veteran Digital Colorist Bryan McMahan has joined Roundabout Entertainment. A frequent collaborator of Terrence Malick, McMahan has colored six films for the director dating back to the 2005 release The New ...
February 15, 2017, 05:28 PM
http://www.studiodaily.com/2017/02/di-colorist-joe...
Science-fiction movies about alien visitations aren't generally thought of as Oscar bait. But director Denis Villeneuve's SF film is a triumphant exploration of inner space, revealing over time the peculiar state of mind of its protagonist, Louise Banks (Amy Adams), … more » The post DI Colorist Joe Gawler on the Thoughtful Sci-Fi Epic Arrival appeared first on Studio Daily.
January 9, 2017, 07:02 PM
http://www.broadcastbeat.com/colorist-dan-hermelin...
Seasoned post-production artist will apply experience in television and feature mastering, restoration and animation. BURBANK—Versatile colorist Dan Hermelin has joined Roundabout Entertainment as the facility continues to build its talent pool and broaden its services for picture finishing and restoration. Hermelin arrives with more than 20 years of post-production experience and a resume spanning features, ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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