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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

AE - Removing Logos from Clothing

January 11, 2014, 09:32 AM

http://lesterbanks.com/2014/01/after-effects-remov...

One time or another, there will be a logo in some footage that you will need to remove, and assisting in one method to do exactly that, Mikey Borup shows how to use After Effects tracking to take out or add in a new logo on some clothing.

Video Tutorial: Infinite Doors in Adobe After Effe

January 8, 2014, 06:21 PM

http://www.premiumbeat.com/blog/video-tutorial-inf...

This Twilight Zone style animation for After Effects is a great way to learn some new motion design fundamentals.

Smoked by GV Prashanth

December 23, 2013, 04:32 AM

http://www.3dtotal.com/index_tutorial_detailed.php...

This was a render I created in my spare time after work. I wanted to learn the art of rendering photoreal characters using V-Ray in Maya. I also wanted to study a particular style of side lighting for this render.

Using X-Particles In MotionGraphics

December 21, 2013, 08:27 AM

http://lesterbanks.com/2013/12/cinema-4d-using-x-p...

X-Particles has always been an extremely powerful tool filling in some of the gaps in ease of use and flexibility in Cinema 4D. In a demonstration showing exactly how flexible and useful X-Particles can be, Mike Batchelor offers a look at using X-Particles in a motion graphics setting, walking though the creation of a mock TV ad for an audio CD.

Using MamoWorld’s Auto Lip-Sync

December 20, 2013, 10:43 AM

http://ae.tutsplus.com/tutorials/workflow/build-me...

In Part 4, we will learn how to set up the lip syncing for your puppet using Mamoworld’s Auto Lip-Sync solution. We'll also share some interesting tricks and t

Animating Dew Drops - Cinema 4D

December 18, 2013, 05:40 PM

http://lesterbanks.com/2013/12/cinema-4d-animating...

MotionSquared’s Don M takes demonstrates how to create and animate dew drops moving and falling off of a leaf in Cinema 4D taking a thorough look at modeling, texturing, rig and animation considerations and rendering, walking through the entire project step by step.

AE - Animation, Pre-Compositing, and Nesting

December 18, 2013, 10:18 AM

http://ae.tutsplus.com/tutorials/workflow/welcome-...

This 10-part series has been designed to help anyone starting out in the world of After Effects. In this episode, we’ll take a look at the various animation tools and how to activate animation for layer and effects properties. We’ll check out the Puppet Pin Tool and explore how it can be used to bring a still asset to life. Then we will take a look at Pre-composing layers and why this is important in After Effects. Finally, we’ll cover nested compositions and how to use them for more effic...

Planar Tracking in AE

December 14, 2013, 02:35 PM

http://lesterbanks.com/2013/12/mocha-planar-tracki...

Showing the benefit in the relationship between planar tracking / roto work in mocha, mocha Pro and After Effects, Imagineer Systems’ energetic Mary Poplin demonstrates creating motion graphics with a suite of tools, creating a dynamic animation with tracked graphics.

FumeFX Where the hell is the Emitter Button

December 14, 2013, 09:26 AM

http://lesterbanks.com/2013/12/maya-fumefx-where-t...

It was back in near the end May of 2013 when we first heard word that the popular 3ds Max fluid dynamics simulator, FumeFX was being developed for Maya, and as a precursor to its looming release next week, Allan McKay provides a quick-start to getting oriented in using FumeFX for Maya.

Creating a Fluid Wave Motion - Cinema4D

December 12, 2013, 11:00 AM

http://lesterbanks.com/2013/12/cinema-4d-creating-...

It was back in March some time that Uwe Schweer-Lambers (Equiloud) shows how to create an appearing animated ribbon using the Mograph Module Cinema 4D, and here, animator Mac Lanphere adds to the technique, adding a fluid-like wave motion into the ribbon effect, bringing them to life after they have been drawn-on created.

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